“Once again, is marriage out of the question?” Tarr asked.
“You know yourself best. I don’t think you ought to marry.”
“Why, am I⸺?”
“No. You wouldn’t stop with her. So why marry?”
He hiccuped again, and blinked.
Tarr gazed at his oracle with curiosity.—With eyes glassily bloodshot,
it discharged its wisdom on gusts of air. Butcher was always surly about
women, or rather men’s tenderness for them. He was a vindictive enemy
of the sex. He stood, a patient constable, forbidding Tarr respectfully
a certain road. He spoke with authority and shortness, and hiccuped to
convey the absolute and assured quality of his refusal.
“Well, in that case,” Tarr said, “I must make a move. I have treated
Bertha very badly.”
Butcher smothered a hiccup.—He ordered another drink.
“Yes, I owe my girl anything I can give her. It is hardly my fault. With
the training you get in England, how can you be expected to realize
anything? The University of Humour that prevails everywhere in England
as the national institution for developing youth, provides you with
nothing but a first-rate means of evading reality. The whole of English
training—the great fundamental spirit of the country—is a system of
_deadening feeling_, a prescription for Stoicism. Many of the results are
excellent. It saves us from gush in many cases; it is an excellent armour
in times of crisis or misfortune. The English soldier gets his special
_cachet_ from it. But for the sake of this wonderful panacea—English
humour—we sacrifice much. It would be better _to face_ our Imagination
and our nerves without this soporific. Once this armature breaks down,
the man underneath is found in many cases to have become softened by it.
He is subject to shock, _over_sensitiveness, and many ailments not met
with in the more frank and direct races. Their superficial sensitiveness
allows of a harder core.—To set against this, of course, you have the
immense reserves of delicacy, touchiness, sympathy, that this envelope
of cynicism has accumulated. It has served English art marvellously.
But it is probably more useful for art than for practical affairs. And
the artist could always look after himself. Anyhow, the time seems to
have arrived in my life, as I consider it has arrived in the life of the
country, to discard this husk and armour. Life must be met on other terms
than those of fun and sport.”
Butcher guffawed provocatively. Tarr joined him. They both quaffed their
beer.
“You’re a terrible fellow,” said Butcher. “If you had your way, you’d
leave us stark naked. We should all be standing on our little island in
the savage state of the Ancient Britons—figuratively.” He hiccuped.
Public-domain text, read in full here on John Shaqi.
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