“Good; I will avoid gigot.” She was indulgent to his clowning, and
drawled a little in sympathy. Between language and feeding, Kreisler
sought to gain the young lady’s confidence, adhering conventionally to
the progress of Creation.
He found his neighbour inclined to slight Nature. He, too, was a little
overlooked; in waiving of conventions being blandly forestalled. There
was something uncomfortable about all this. He must brace himself. He
realized with the prophetic logic of his hysteria, racing through the
syllogisms his senses divined, sensations now anachronisms, afterwards
recognized as they burst out in due course. This precocity in the
restaurant took him to the solution of what their coming together might
mean.
One plethoric impression of her was received—although _from_
her—instalment of a senseless generosity.
She wore a heavy black burnous, very voluminous and severe; a large
ornamental bag was on the chair at her side, which you expected to
contain herbs and trinkets, paraphernalia of the witch, rather than
powder, lip-cream, and secrets. Her hat was immense and sinuous;
generally she implied an egotistic code of advanced order, full of
insolent strategies.
Other women in the restaurant appeared dragged down and drained of
vitality by their clothes beside her, Kreisler thought, although she wore
so much more than they did. Her large square-shouldered and slim body
swam in hers like a duck.
When she laughed, this commotion was transmitted to her body as though
sharp, sonorous blows had been struck on her mouth. Her lips were
long, hard bubbles risen in the blond heavy pool of her face, ready to
break, pitifully and gaily. Grown forward with ape-like intensity, they
refused no emotion noisy egress if it got so far. Her eyes were large,
stubborn, and reflective, brown coming out of blondness. Her head was
like a deep white egg in a tobacco-coloured nest. She exuded personality
with alarming and disgusting intensity. It was an ostentation similar to
diamonds and gold watch-chains. Kreisler felt himself in the midst of a
cascade, a hot cascade.
She seemed to feel herself a travelling circus of tricks and wonders,
beauty shows and monstrosities. Quite used to being looked at, she
had become resigned to inability to avoid performing. She possessed
the geniality of public character and the genius of sex. Kreisler
was a strange loafer talked to easily, without any consciousness of
condescension.
Just as he was most out of his depth, Kreisler had run up against all
this! It all had the mellowness of sunset, and boomed in this small
alcove infernally.—By the fact of sex this figure seems to offer him a
traditional substantiality. He clutches at it eagerly as at something
familiar and unmetamorphosed—and somewhat unmetamorphosable—by Fate.
Public-domain text, read in full here on John Shaqi.
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