Tea Drinking in 18th-Century America: Its Etiquette and Equipage: United States National Museum Bulletin 225, Contributions from the Museum of History and Technology Paper 14, pages 61-91, Smithsonian Institution, Washington, DC, 1961Roth, Rodris
History
Tea Drinking in 18th-Century America: Its Etiquette and Equipage: United States National Museum Bulletin 225, Contributions from the Museum of History and Technology Paper 14, pages 61-91, Smithsonian Institution, Washington, DC, 1961
Roth, Rodris
Tea -- United States; United States -- Social life and customs -- 18th century
The teapot was, of course, the very center of the social custom of
drinking tea; so, it usually was found in the center of the tray or
table. At first, only teapots of Oriental origin imported with the
cargos of tea were available, for the teapot had been unknown to
Europeans before the introduction of the beverage. However, as tea
gained acceptance as a social drink and the demand for equipage
increased, local craftsmen were stimulated to produce wares that could
compete with the Chinese imports. Teapots based on Chinese models and
often decorated with Chinese motifs were fashioned in ceramic and
silver. No doubt many an 18th-century hostess desired a silver teapot
to grace her table and add an elegant air to the tea ceremony. A
lottery offering one must have raised many a hope, especially if, as an
advertisement of 1727 announced, the "highest Prize consists of an
Eight Square Tea-Pot," as well as "six Tea-Spoons, Skimmer and Tongs."
By the end of the century "an elegant silver tea-pot with an ornamental
lid, resembling a Pine-apple" would have been the wish of a
fashion-conscious hostess. Less expensive than silver, but just as
stylish according to the merchants' advertisements were "newest fashion
teapots" of pewter or, in the late 18th century, Britannia metal
teapots. The latest mode in ceramic ware also was to be found upon the
tea table. In the mid-18th century it was "English brown China Tea-Pots
of Sorts, with a rais'd Flower" (probably the ceramic with a deep, rich
brown glaze known today as Jackfield-type ware), "black," "green and
Tortois" (a pottery glazed with varigated colors in imitation of
tortoise shell), and "Enameled Stone" teapots. At the time of the
American Revolution, teaware imports included "Egyptian, Etruscan,
embossed red China, agate, green, black, colliflower, white, and blue
and white stone enamelled, striped, fluted, pierced and plain Queen's
ware tea pots."[68]
Sometimes the teapot, whether ceramic, pewter, or silver, was placed
upon a dish or small, tile-like stand with feet. These teapot stands
served as insulation by protecting the surface of the table or tray
from the damaging heat of the teapot. Stands often were included in tea
sets but also were sold individually, such as the "Pencil'd China ...
tea pot stands," advertised in 1775, and the "teapot stands" of "best
London plated ware" imported in 1797.[69] The stands must have been
especially useful when silver equipage was set on a bare table top;
many of the silver teapots of elliptical shape with a flat base, so
popular in the latter part of the 18th century, had matching stands
raised on short legs to protect the table from the expanse of hot
metal. On occasion the teapot was placed on a spirit lamp or burner to
keep the beverage warm.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account