At first the scarcity and expense of the tea, the costly paraphernalia used to serve it, and the leisure considered necessary to consume it, limited the use of this commodity to the upper classes. For these reasons, social tea drinking was, understandably, a prestige custom. One becomes increasingly aware of this when looking at English paintings and prints of the early 18th century, such as _Family Group_ (fig. 1), painted by Gawen Hamilton about 1730. Family members are portrayed in the familiar setting of their own parlor with its paneled walls and comfortable furnishings. Their pet, a small dog, surveys the scene from a resting place on a corner of the carpet. Teatime appears to have just begun, for cups are still being passed around and others on the table await filling from the nearby porcelain teapot. It seems reasonable to assume, since the painting is portraiture, that the family is engaged in an activity which, although familiar, is considered suitable to the group's social position and worthy of being recorded in oil. That tea drinking was a status symbol also is indicated by the fact that the artist has used the tea ceremony as the theme of the picture and the tea table as the focal point. Eighteenth-century pictures and writings are basic source materials for information about Anglo-American tea drinking. (See the chronological list of pictures consulted, on page 90.) A number of the pictures are small-scale group or conversation piece paintings of English origin in which family and friends are assembled at tea, similar to _Family Group_, and they provide pictorial information on teatime modes and manners. The surroundings in which the partakers of tea are depicted also reveal information about the period and about the gracious living enjoyed in the better homes. Paneled walls and comfortable chairs, handsome chests and decorative curtains, objects of ceramic and silver and glass, all were set down on canvas or paper with painstaking care, and sometimes with a certain amount of artistic license. A careful study of these paintings provides an excellent guide for furnishing and reconstructing period rooms and exhibits, even to the small details such as objects on mantels, tables, and chests, thus further documenting data from newspapers, journals, publications, and writings of the same period.