For a time tea was esteemed mainly for its curative powers, which explains why it was "by all Physitians approved." According to an English broadside published in 1660, the numerous contemporary ailments which tea "helpeth" included "the headaches, giddiness, and heaviness." It was also considered "good for colds, dropsies and scurvies and [it] expelleth infection. It prevents and cures agues, surfeits and fevers."[3] By the end of the 17th century, however, tea's medicinal qualities had become secondary to its fashionableness as a unique drink. Tea along with the other exotic and novel imports from the Orient such as fragile porcelains, lustrous silks, and painted wallpapers had captured the European imagination. Though the beverage was served in public pleasure gardens as well as coffee houses during the early 1700's in England, social tea drinking in the home was gradually coming into favor. The coffee houses continued as centers of political, social, and literary influence as well as of commercial life into the first half of the 19th century, for apparently Englishmen preferred to drink their coffee in public rather than private houses and among male rather than mixed company. This was in contrast to tea, which was drunk in the home with breakfast or as a morning beverage and socially at afternoon gatherings of both sexes, as we see in the painting _An English Family at Tea_ (frontispiece). As tea drinking in the home became fashionable, both host and hostess took pride in a well-appointed tea table, for a teapot of silver or fragile blue-and-white Oriental porcelain with matching cups and saucers and other equipage added prestige as well as elegance to the teatime ritual. [Illustration: Figure 1.--_Family Group_, by Gawen Hamilton, about 1730. In collection of Colonial Williamsburg, Inc. The tea set, undoubtedly of porcelain, includes cups and saucers, a cream or milk container, and a sugar container with tongs. (_Photo courtesy of Colonial Williamsburg, Inc._)]