Conversation -- Fiction; England -- Social life and customs -- Fiction
“Man’s first feeble steps upon the upward path of Art,” assented the
Minor Poet, “culminating in the rouge-pot and the hair-dye.”
“Come!” laughed the Old Maid, “you are narrow-minded. Civilisation has
given us music. Surely you will admit that has been of help to us?”
“My dear lady,” replied the Minor Poet, “you speak of the one
accomplishment with which Civilisation has had little or nothing to do,
the one art that Nature has bestowed upon man in common with the birds
and insects, the one intellectual enjoyment we share with the entire
animal creation, excepting only the canines; and even the howling of the
dog—one cannot be sure—may be an honest, however unsatisfactory, attempt
towards a music of his own. I had a fox terrier once who invariably
howled in tune. Jubal hampered, not helped us. He it was who stifled
music with the curse of professionalism; so that now, like shivering
shop-boys paying gate-money to watch games they cannot play, we sit mute
in our stalls listening to the paid performer. But for the musician,
music might have been universal. The human voice is still the finest
instrument that we possess. We have allowed it to rust, the better to
hear clever manipulators blow through tubes and twang wires. The musical
world might have been a literal expression. Civilisation has contracted
it to designate a coterie.”
“By the way,” said the Woman of the World, “talking of music, have you
heard that last symphony of Grieg’s? It came in the last parcel. I have
been practising it.”
“Oh! do let us hear it,” urged the Old Maid. “I love Grieg.”
The Woman of the World rose and opened the piano.
“Myself, I have always been of opinion—” I remarked.
“Please don’t chatter,” said the Minor Poet.
III
“I NEVER liked her,” said the Old Maid; “I always knew she was
heartless.”
“To my thinking,” said the Minor Poet, “she has shown herself a true
woman.”
“Really,” said the Woman of the World, laughing, “I shall have to
nickname you Dr. Johnson Redivivus. I believe, were the subject under
discussion, you would admire the coiffure of the Furies. It would occur
to you that it must have been naturally curly.”
“It is the Irish blood flowing in his veins,” I told them. “He must
always be ‘agin the Government.’”
“We ought to be grateful to him,” remarked the Philosopher. “What can be
more uninteresting than an agreeable conversation I mean, a
conversation—where everybody is in agreement? Disagreement, on the other
hand, is stimulating.”
Public-domain text, read in full here on John Shaqi.
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