Conversation -- Fiction; England -- Social life and customs -- Fiction
“I suppose,” said the Girton Girl—to my surprise she spoke with entire
absence of indignation. As a rule, the Girton Girl stands for what has
been termed “divine discontent” with things in general. In the course of
time she will outlive her surprise at finding the world so much less
satisfactory an abode than she had been led to suppose—also her present
firm conviction that, given a free hand, she could put the whole thing
right in a quarter of an hour. There are times even now when her tone
suggests less certainty of her being the first person who has ever
thought seriously about the matter. “I suppose,” said the Girton Girl,
“it comes of education. Our grandmothers were content to fill their
lives with these small household duties. They rose early, worked with
their servants, saw to everything with their own eyes. Nowadays we
demand time for self-development, for reading, for thinking, for
pleasure. Household drudgery, instead of being the object of our life,
has become an interference to it. We resent it.”
“The present revolt of woman,” continued the Minor Poet, “will be looked
back upon by the historian of the future as one of the chief factors in
our social evolution. The ‘home’—the praises of which we still sing, but
with gathering misgiving—depended on her willingness to live a life of
practical slavery. When Adam delved and Eve span—Adam confining his
delving to the space within his own fence, Eve staying her spinning-wheel
the instant the family hosiery was complete—then the home rested upon the
solid basis of an actual fact. Its foundations were shaken when the man
became a citizen and his interests expanded beyond the domestic circle.
Since that moment woman alone has supported the institution. Now she, in
her turn, is claiming the right to enter the community, to escape from
the solitary confinement of the lover’s castle. The ‘mansions,’ with
common dining-rooms, reading-rooms, their system of common service, are
springing up in every quarter; the house, the villa, is disappearing.
The story is the same in every country. The separate dwelling, where it
remains, is being absorbed into a system. In America, the experimental
laboratory of the future, the houses are warmed from a common furnace.
You do not light the fire, you turn on the hot air. Your dinner is
brought round to you in a travelling oven. You subscribe for your valet
or your lady’s maid. Very soon the private establishment, with its staff
of unorganised, quarrelling servants, of necessity either over or
underworked, will be as extinct as the lake dwelling or the sandstone
cave.”
“I hope,” said the Woman of the World, “that I may live to see it.”
“In all probability,” replied the Minor Poet, “you will. I would I could
feel as hopeful for myself.”
Public-domain text, read in full here on John Shaqi.
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