Tent Work in Palestine: A Record of Discovery and AdventureConder, C. R. (Claude Reignier)
History
Tent Work in Palestine: A Record of Discovery and Adventure
Conder, C. R. (Claude Reignier)
Palestine -- Description and travel
We now wandered through the vaults, where the tombs of Eusebius of
Cremona, of Paula, and of her daughter Eustochia, are shown, and the
famous study--a gloomy, rock-cut cell--where St. Jerome is said to have
spent so many years of his life, engaged on the noble Vulgate
translation of the Scriptures.
We left the building in order to witness the entry of the French Consul,
who attends the ceremony on this day as representative of the “Eldest
son of the Church.” First came the village elders in gay dresses,
capering madly on horses and mules; then about a couple of dozen
cavalry-soldiers in black, with red fezzes and facings. The four
_kawasses_ on good brown horses, dressed in crimson hussar jackets,
braided with gold and black, with blue trousers and silk head-shawls,
and carrying great maces with gilded tops. The Consul and his secretary
came last.
At ten in the evening the bell began to ring, and we again entered the
Latin chapel. The place was quite full, and the congregation pushed and
struggled, and chattered at the top of their voices. The French Consul
appeared in full uniform, covered with orders, and we also obtained good
places near the altar. The heat was fearful, and many persons fainted
and had to be dragged out.
The long wearisome service, almost entirely choral, with occasional
solos, went on for two hours. The Patriarch, in his hot and heavy
vestments of cloth-of-gold, looked much exhausted. His mitre was changed
at various times, one being of silver, a second of gold, a third
jewelled. The whole service was directed by an extremely active priest,
who appeared to be a sort of master of the ceremonies.
At midnight the climax was reached, the storm of song and music suddenly
ceased, and, in the stillness, the clock struck, and the seventh candle
on the high altar was lighted. A curtain was drawn back, and above the
altar was a little glass-fronted ebony box, from which the rosy face of
a small wax image looked down representing an infant swathed in
cloth-of-gold. The great convent-bell swung with a deep sound, heralding
the news of Christmas morn, and the little red-cassocked choristers
burst forth, in memory of the angels, with the “Gloria! gloria in
excelsis!” The organ struggled and pealed in a mad and powerful
symphony, and was accompanied by a pipe or reed, in memory of the music
of the shepherds’ pipes. The mystic ceremonies of the early mass were
commenced, and the weary congregation became interested.
Public-domain text, read in full here on John Shaqi.
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