London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
'It's in the afternoon, and it's not very easy for me to get away in
the afternoon, but to please you, I'll take you--see? I loathe music
(except musical comedies), and I think if ever there was a set of
appalling rotters--I feel inclined to knock them off the music-stool
the way they go on at Lady Everard's--at the same time, some of them
are very cultured and intelligent chaps, and _she's_ a very charming
woman. One can't get in a word edgeways, but _when_ one does--well, she
listens, and laughs at one's jokes, and that sort of thing. I think I'm
rather glad you're not musical, Edith, it takes a woman away from her
husband.'
'Not musical! Oh dear! I thought I was,' said Edith.
'Oh, anyhow, not when I'm here, so it doesn't matter. Besides, your
being appreciative and that sort of thing is very nice. Look what a
social success you've had at the Everards', for instance, through
listening and understanding these things; it is not an accomplishment
to throw away. No, Edith dear, I should tell you, if you would only
listen to me, to keep up your music, but you won't and there's an end
of it...That soufflé was really very good. Cook's improving. For a
plain little cook like that, with such small wages, and no kitchenmaid,
she does quite well.'
'Oh yes, she's not bad,' said Edith. She knew that if Bruce had been
aware the cook's remuneration was adequate he would not have enjoyed
his dinner.
* * * * *
They were in the box in the pretty theatre. Lady Everard, very smart in
black, sparkling with diamonds, was already there with Aylmer. Vincy
had not arrived.
The house was crammed to the ceiling. Gay, electrical music of
exhilarating futility was being played by the orchestra. The scene
consisted of model cottages; a chorus of pretty girls in striped cotton
were singing. The heroine came on; she was well known for her smile,
which had become public property on picture post-cards and the Obosh
bottles. She was dressed as a work-girl also, but in striped silk with
a real lace apron and a few diamonds. Then the hero arrived. He wore a
red shirt, brown boots, and had a tenor voice. He explained an
interesting little bit of the plot, which included an eccentric will
and other novelties. The humorous dandy of the play was greeted with
shouts of joy by the chorus and equal enthusiasm by the audience. He
agreed to change places with the hero, who wished to give up one
hundred and forty thousand pounds a year to marry the heroine.
'Very disinterested,' murmured Lady Everard. 'Very nice of him, I'm
sure. It isn't many people that would do a thing like that. A nice
voice, too. Of course, this is not what _I_ call good music, but it's
very bright in its way, and the words--I always think these words are
so clever. So witty. Listen to them--do listen to them, dear Mrs
Ottley.'
They listened to the beautiful words sung, of which the refrain ran as
follows:--
Public-domain text, read in full here on John Shaqi.
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