London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
'The Author told the Actor,
(The Actor had a fit).
The Box Office man told the Programme-girl,
The Theatre all was in quite a whirl.
The call-boy told the Chorus.
(Whatever could it be?)
The super asked the Manager,
What did the Censor see?'
'Charming,' murmured Lady Everard; 'brilliant--I know his father so
well.'
'Whose father--the censor's?'
'Oh, the father of the composer--a very charming man. When he was young
he used to come to my parties--my Wednesdays. I used to have Wednesdays
then. I don't have Wednesdays now. I think it better to telephone at
the last minute any particular day for my afternoons because, after
all, you never know when the artists one wants are disengaged, does
one? You're coming on Wednesday to hear Paul La France sing, dear Mrs
Ottley?'
Edith smiled and nodded assent, trying to stop the incessant trickle of
Lady Everard's leaking conversation. She loved theatres, and she
enjoyed hearing every word, which was impossible while there was more
dialogue in the box than on the stage; also, Aylmer was sitting behind
her.
The comic lady now came on; there were shrieks of laughter at her
unnecessary and irrelevant green boots and crinoline and Cockney
accent. She proposed to marry the hero, who ran away from her. There
was more chorus; and the curtain fell.
In the interval Vincy arrived. He and Bruce went into the little salon
behind the box. Lady Everard joined them there. Edith and Aylmer looked
round the house. The audience at the Society Theatre is a special one;
as at the plays in which the favourite actor-managers and _jeunes
premiers_ perform there are always far more women than men, at this
theatre there are always far more men than women.
The stage box opposite our friends was filled with a party of about ten
men.
'It looks like a jury,' said Edith. 'Perhaps it is.' 'Probably a board
of directors,' said Aylmer.
The first two rows of the stalls were principally occupied by
middle-aged and rather elderly gentlemen. Many had grey moustaches and
a military bearing. Others were inclined to be stout, with brilliant
exuberant manners and very dark hair that simply wouldn't lie flat.
There were a great many parties made up like those of our friends--of
somebody in love with somebody, surrounded by chaperons. These were the
social people, and also there were a certain number of young men with
pretty women who were too fashionably dressed, too much made up, and
who were looking forward too much to supper. These ladies seemed
inclined to crab the play, and to find unimportant little faults with
the unimportant actresses. There were many Americans--who took it
seriously; and altogether one could see it was an immense success; in
other words everyone had paid for their seats...
* * * * *
Public-domain text, read in full here on John Shaqi.
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