London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
The play was over; Aylmer had not had a word with Edith. He was going
away the next day, and he asked them all to supper. Of course he drove
Edith, and Lady Everard took the other two in her motor....
'You're an angel if you've forgiven me,' he said, as they went out.
CHAPTER XIII
The Supper-party
'Have you forgiven me?' he asked anxiously, as soon as they were in the
dark shelter of the cab.
'Yes, oh yes. Please don't let's talk about it any more... What time do
you start tomorrow?'
'You think I ought to go then?'
'You say so.'
'But you'd rather I remained here; rather we should go on as we
are--wouldn't you?'
'Well, you know I should never have dreamt of suggesting you should go
away. I like you to be here.'
'At any cost to me? No, Edith; I can't stand it. And since I've told
you it's harder. Your knowing makes it harder.'
'I should have thought that if you liked anyone so _very_ much, you
would want to see them all the time, as much as possible, always--even
with other people...anything rather than not see them--be away
altogether. At least, that's how I should feel.'
'No doubt you would; that's a woman's view. And besides, you see, you
don't care!'
'The more I cared, the less I should go away, I think.'
'But, haven't I tried? And I can't bear it. You don't know how cruel
you are with your sweetness, Edith...Oh, put yourself in my place! How
do you suppose I feel when I've been with you like this, near you,
looking at you, delighting in you the whole evening--and then, after
supper, you go away with Bruce? _You've_ had a very pleasant evening,
no doubt; it's all right for you to feel you've got me, as you know you
have--and with no fear, no danger. Yes, you enjoy it!'
'Oh, Aylmer!'
He saw in the half-darkness that her eyes looked reproachful.
'I didn't mean it. I'm sorry--I'm always being sorry.' His bitter tone
changed to gentleness. 'I want to speak to you now, Edith. We haven't
much time. Don't take away your hand a minute....I always told you,
didn't I, that the atmosphere round you is so clear that I feel with
you I'm in the Palace of Truth? You're so _real_. You're the only woman
I ever met who really cared for truth. You're not afraid of it; and
you're as straight and honourable as a man! I don't mean you can't
diplomatise if you choose, of course, and better than anyone; but it
isn't your nature to deceive yourself, nor anyone else. I recognise
that in you. I love it. And that's why I can't pretend or act with you;
I must be frank.'
'Please, do be frank.'
'I love you. I'm madly in love with you. I adore you.'
Aylmer stopped, deeply moved at the sound of his own words. Few people
realise the effect such words have on the speaker. Saying them to her
was a great joy, and an indulgence, but it increased painfully his
passionate feeling, making it more accentuated and acute. To let
himself go verbally was a wild, bitter pleasure. It hurt him, and he
enjoyed it.
Public-domain text, read in full here on John Shaqi.
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