Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The very pointed shape of this hood is somewhat unusual in the form
of this part of a cope, as made during mediæval times, in England.
The stuff is of a spirited design, and shows a curious element in its
pattern, in those golden flowers with their pencils of rays.
1278.
Silk and Cotton Damask; ground, black; design, a lion rampant amid
trees, all in light green. Sicilian, 14th century. 15 inches by 7¾
inches.
Very few examples occur with ground coloured black, yet the bright
green of the design goes well upon its sombre grounding. The animal
and also the leaves and trees around him are all admirably and
spiritedly drawn, and one regrets that a pattern of such merit should
have been lost upon such poor materials.
1279.
Silk and Gold Damask; ground, bright green silk; design, in gold,
conventional artichokes, large and small, and harts, and demi-dogs with
very large wings, both animals having remarkably long manes streaming
far behind them. Sicilian, 14th century. 27 inches by 14 inches.
This beautifully and richly wrought stuff, with its fantastic design
drawn with such spirit, must have been, when seen in a large piece,
very pleasing. Its last use was in a chasuble of rather modern cut, to
judge from its present shape.
1280.
Small Bag to hold relics; ground, gold; design, all embroidered by
needle, white rabbits(?) segreant, peacocks in couples, face to face,
with the rabbits between them, two hearts and rows of black or purple
spots, like women’s heads, one in the middle surrounded by a wreath of
eight crimson stars, with small green flower-bearing trees, and the
whole field sprinkled with letters, now, from the ill condition of the
embroidery, not to be read. German, 16th century. 4½ inches square.
1281.
Part of a Liturgical Ornament; silk upon linen; ground, crimson, faded;
design, in yellow flos-silk, beasts and birds. Syrian, late 13th
century. 2 feet 6 inches by 7½ inches.
It does not seem to have last served as either stole or maniple, but,
apparently, was part of an altar curtain of which two were hung, one
at each side of the sacred table. Lions and dogs seated and eagles
perched amid flowers and foliage form the pattern, which is not as
well figured as those usually are which came from the eastern shores
of the Mediterranean.
1282.
Silk and Cotton Damask; ground, green; design, large ovals filled in
with foliation, enclosed with a net-work of garlands, the fruits of
which might be mistaken for half-moons. North Italy, 14th century.
13½ inches by 7½ inches.
On better material, for the quantity of its silk is small, and in
happier colours, this stuff might have been very pretty.
1283.
Silk Damask; ground, amber yellow; design, a hart, in gold, lodged
beneath green trees in a park, the paling of which is light green,
with a bunch of the corn-flower, centaurea, before it. Sicilian, 14th
century. 7½ inches by 5½ inches.
1283A.
Public-domain text, read in full here on John Shaqi.
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