Thames Valley Villages, Volume 1 (of 2) — John Shaqi
Thames Valley Villages, Volume 1 (of 2)Harper, Charles G. (Charles George)
History
Thames Valley Villages, Volume 1 (of 2)
Harper, Charles G. (Charles George)
Thames Valley (England)
Let us recapitulate the facts, and draw the indictment more exactly
against that sinning body. We shall thus ventilate a righteous
indignation, and help to create a healthy public feeling against all
such damnable doings, by whomsoever done. We are, of necessity, in
this country of change and of an increasing population, faced with a
continuous defacement of places ancient, beautiful and historic; and
it behoves us to use our utmost efforts to preserve what we have left.
What, then, shall we say of such absolutely unnecessary outrages as
this? Shall we not revile the whole body responsible, from the Board and
the Secretary down to the chief engineer and the staff of underlings
who did the deed? The Thames Conservancy, in fact, has been a most
diligent destroyer of the beauty of the river; slaving early and late
and overtime in that devil’s work, but remaining supremely idle where
the encroachments of private persons, or the uglifications by waterworks
companies, and modern mill-and factory-builders are concerned. It is
the Thames Conservancy that has repaired the banks of the river and has
reinforced the walls of its weirs and lock-cuts, with hideous bags and
barrels of concrete, that retain their bag-and-barrel shape for all time,
and so render miles of riverside sordid in the extreme. We simply cannot
afford these ways with the river.
The church of Castle Eaton is in a modest way a remarkable building.
It is a moderate-sized Early English structure, chiefly notable for
retaining its original stone sanctus-bell turret on the roof. The
interior discloses nave and chancel only, with a shallow elementary
north aisle, built out from the original building, and supported upon
two wooden pillars on stone bases. This extension—a half-hearted
addition—was itself made several centuries ago, apparently for the
purpose of affording additional seating accommodation at some period
when the population had increased. But it has greatly shrunken since
then; and in these times when the towns have superior attractions for all
wage-earners, it still continues to shrink.
[Illustration: OLD WOODWORK, CASTLE EATON.]
A very curious old oak post, some seven feet high, and carved with a
spiral pattern, stands at the end of one of the pews, and seems to mark
what must have been the old manorial pew; bearing as it does on its
ornamental head a shield of arms, dated 1704, probably that of some
bygone local family. The whole affair looks remarkably like a part of
some old four-poster bedstead, but it may be one of the supports of a
former western gallery. A half-length fresco figure of the Virgin—the
church being dedicated to St. Mary—is to be seen on one of the walls,
and a very large, and apparently fine, brass of a knight was once in the
church. But this has been at some time destroyed, and the stone indent
itself is now to be found, flung out of the building and used as a
paving-stone, outside the west door.
Public-domain text, read in full here on John Shaqi.
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