A brass in the north transept to Richard Gill, Sergeant of the “Backhouse”—i.e. the Bakehouse—to Henry the Seventh and Henry the Eighth, describes him as “Bailey of the Seaven Hundreds of Cookeham and Bray in the Forest Division.” Near by is a brass to “Thomas Noke, who for his great Age and vertuous Lyfe was reverenced of all Men, and was commonly called Father Noke, created Esquire by King Henry the Eight. He was of Stature high and comly; and for his excellency in Artilery made Yeoman of the Crowne of England which had in his Lyfe three Wives, and by every of them some Fruit and Off-spring, and deceased the 21 of August 1567 in the Yeare of his Age 87, leaving behind him Julyan his last Wife, two of his Brethren, one Sister, one only Son, and two Daughters living.” Thomas Noke is represented with his three wives, while six daughters and four sons are grouped beneath. Returning through Twyford to Sonning, the outlet of the Loddon, “The Loddon slow, with verdant alders crowned,” is found in that exquisite backwater, the Patrick Stream, where a picture of surpassing beauty is seen at every turn. By a long, winding course, fringed richly with rushes, and overhung with lovely trees, the Patrick Stream wanders through meadow lands and finally emerges into the Thames again, just below Shiplake Lock. By dint of making this long but delightful _détour_, and thus avoiding Shiplake Lock, it is possible to do the Thames Conservancy out of one of those many threepences for which it has so insatiable an appetite. Shiplake, on the Oxfordshire bank, is the place where Tennyson was married, but the church has been largely rebuilt since then. The windows are mostly filled with ancient glass brought from the abbey of St. Bertin, at St. Omer. Shiplake Mill, once a picturesque feature, is now, at this time of writing, a squalid heap of ruins. Wargrave, on the Berkshire side, is said to have once been a market-town, and it is now growing again so rapidly that a town it will soon be once more. Its houses crowd together on the banks, where the George and Dragon Inn stands, giving upon the slipway to the water: all looking out upon the spacious Oxfordshire meadows. The sign of the George and Dragon Inn—a double-sided one—painted by G. D. Leslie, R.A., and J. E. Hodgson, R.A., in 1874, shows St. George on one side, as we are accustomed to see him on the reverse of coins, engaged in slaying the dragon; and on the other, the monster duly slain, the saint is refreshing himself with a noble tankard of ale. [Illustration: WARGRAVE CHURCH.]