That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant FutureVan Zile, Edward S. (Edward Sims)
History
That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant Future
Van Zile, Edward S. (Edward Sims)
Motion pictures
It is not for us Americans, however, to jeer at Stratford-on-Avon for
its aggressive conservatism. Our immediate ancestors blocked the wheels
of progress in many mischievous, if not laughable, ways. The School
Board of Lancaster, Ohio, adopted in 1826 the following resolution:
“Such things as railroads are impossibilities and rank infidelity. If
God had designed that His intelligent creatures should travel at the
frightful speed of fifteen miles per hour by steam, He would clearly
have foretold it through His holy prophets.” The advent of the bath-tub,
destined to be one of the crowning glories of America, was denounced by
our medical men as a menace to the public health. Philadelphia, Pa., in
1843, endeavored by ordinance to prohibit all bathing between the months
of November and March. Boston, Mass., in 1845, made bathing, except when
prescribed by a physician, unlawful, and, at about the same time,
Virginia put a tax of thirty dollars a year upon every bath-tub in a
commonwealth that can claim to be the cradle of American liberty!
Whatsoever is new under the sun must fight for its place in the sun. For
centuries the printing-press had to struggle for freedom against
powerful restrictive influences that looked upon it as “an agent of the
Devil.” The telegraph, telephone, bicycle, automobile and wireless have
all had their bigoted opponents, who feared that the broadening of
humanity’s contacts would become an increasing menace to their own
narrow beliefs and habits. Is it strange, then, that the movie, a new
form of art qualified to make an instant appeal to both the good and the
bad in human nature, should have had, at the outset of its career, a
hard struggle to justify itself to the more conservative elements of the
community? Bad boy that he was in his earlier years, the movie made it
difficult for a public largely puritanical in its origins and tendencies
to believe that the youngster could be reformed, that he had in him
untried and unmeasurable powers for upward progress, that he was a
prodigal son of Art and Science fated to exercise a controlling
influence upon the destinies of the race.
However, there is an element in the make-up of the American people that
leads it, even at the eleventh hour, to institute reforms whenever an
institution seemingly worth saving must either be heroically treated or
permitted to go completely to the dogs. There came a time when negro
slavery must be destroyed if our Federal Constitution was to survive. At
an enormous cost of life and treasure, the blacks were freed and the
Union preserved. It became apparent recently to the American public that
there were destructive influences at work within our three most popular
forms of amusement, that our stage, our base-ball diamond and our movie
screen were in jeopardy from internal perils, as were our governmental
institutions in the early sixties.
Public-domain text, read in full here on John Shaqi.
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