During the four years since her father had left her at Oldchester, May's life had been passed between her school at Brighton and her holidays in Oldchester. These had certainly been the happiest years she could remember in all her young life. Her grand-mother's house had been the first real home she had ever known. Her recollections of their life on the Continent were dim and melancholy. She remembered fragmentary scenes and incidents in certain dull Flemish towns; their strong-smelling gutters, their toppling gables, the _carillons_ sounding high up in some ancient cathedral belfry. She had a vision of her mother's face, very pale and thin, with large bright eyes, and streaks of gray in the brown hair. May, as the youngest of Susan Cheffington's children, had come in for the worst part of their Continental life. The earlier years, when there was still some money to spend, and fewer debts to be run away from, had not been quite devoid of brightness. But poor little May's conscious observation had little to take note of at home save poverty, sickness, domestic dissensions, and frequent migrations from one shabby lodging to another. Then her mother died, and some six or eight months afterwards she was brought to England, and--Fate and the dowager so willing it--was sent to school to Mrs. Drax in Brighton. The choice of this school proved to be a very fortunate one for the little motherless stranger. And perhaps the credit of it ought fairly to be assigned rather to Destiny than the dowager. The latter would have selected a more fashionable, pretentious, and expensive establishment had she consulted merely her idea of what was becoming and suitable for Miss Miranda Cheffington. But she soon found out that whatever was paid for that young lady's schooling must, sooner or later, come out of her own pocket, and she therefore preferred to honour Mrs. Drax with her patronage, rather than Madame Liebrecht, who had been governess for years in a noble family, and was supposed to accept no pupil who could not show sixteen quarterings; or, of course, their equivalent in cash.