From kites, in quest of a curved surface which should give a maximum
lift with a minimum resistance to its own passage through the air,
Lilienthal embarked upon a series of tests with wing shapes; setting
these up in the wind upon suitable recording machines, and noting
patiently the data that could be procured. There are many problems to be
considered when planning a wing for flight. If it is given a deep curve
or camber from front to back this may, while exercising a powerful lift,
offer too high a resistance as it passes through the air, and thus waste
the energy needed to propel the craft; or, if its front edge is dipped
too sharply, this may cause the air to act upon its upper surface, and
send a machine diving headlong to the ground. The planning of a
successful wing becomes a compromise, having for its object a surface
which shall give the greatest lifting influence with the least
resistance. Lilienthal, after much experiment and the examination of the
wings of many birds, decided that the curve, camber, or upward arch of a
plane should measure, at its maximum depth, about one-twelfth of
whatever width the plane might have from front to back.
CHAPTER V
GLIDING FLIGHT
How a man may use gravity as a motor--Theory of the
“glider”--The craft Lilienthal built--A problem of
balance--The centres of gravity and pressure.
Up to this point in his research Lilienthal had moved more or less upon
the lines of other experimenters. Had he continued to follow in their
footsteps, he would have planned some large and impracticable
machine--and perhaps gone no further. But although he desired to test
the lifting power of the planes he had built, Lilienthal had always in
mind this vital fact--that a man must learn to balance himself in the
air before he can hope to fly. His own words, in summing up this
problem, were: “stability first; propulsion afterwards”; and by this he
meant a man must acquire the art of handling a craft in the air, before
he dares to fit a motor and attempt power-driven flight.
Public-domain text, read in full here on John Shaqi.
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