The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters — John Shaqi
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to LettersBelloc, Hilaire
General
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters
Belloc, Hilaire
Authorship; Satire
are lines the Anglo-Saxon race will not readily let die.
In “Pereant qui Nostra,” Mr. Mayhem preserves and even increases
his old facility of expression, but there is a terrible
falling-off in verbal aptitude.
What are we to think of “The greatest general the world has seen”
applied as a poetic description to Lord Kitchener? Mr. Mayhem
will excuse us if we say that the whole expression is commonplace.
Commonplace thought is bad enough, though it is difficult to
avoid when one tackles a great national subject, and thinks what
all good patriots and men of sense think also. “Pour être poête,”
as M. Yves Guyot proudly said in his receptional address to the
French Academy, “Pour être poête on n’est pas forcément aliéné.”
But commonplace _language_ should always be avoidable, and it is
a fault which we cannot but admit we have found throughout Mr.
Mayhem’s new volume. Thus in “Laura” he compares a young goat
to a “tender flower,” and in “Billings” he calls some little
children “the younglings of the flock.” Again, he says of the
waves at Dover in a gale that they are “horses all in rank, with
manes of snow,” and tells us in “Eton College” that the Thames
“runs like a silver thread amid the green.”
All these similes verge upon the commonplace, even when they
do not touch it. However, there is very genuine feeling in the
description of his old school, and we have no doubt that the bulk
of Etonians will see more in the poem than outsiders can possibly
do.
It cannot be denied that Mr. Mayhem has a powerful source of
inspiration in his strong patriotism, and the sonnets addressed
to Mr. Kruger, Mr. O’Brien, Dr. Clark, and General Mercier are
full of vigorous denunciation. It is the more regrettable that
he has missed true poetic diction and lost his subtlety in a
misapprehension of planes and values.
“Vile, vile old man, and yet more vile again,”
is a line that we are sure Mr. Mayhem would reconsider in
his better moments: “more vile” than what? Than himself? The
expression is far too vague.
“Proud Prelate,” addressed to General Mercier, must be a
misprint, and it is a pity it should have slipped in. What Mr.
Mayhem probably meant was “Proud Cæsar” or “soldier,” or some
other dissyllabic title. The word _prelate_ can properly only be
applied to a bishop, a mitred abbot, or a vicar apostolic.
“Babbler of Hell, importunate mad fiend, dead canker, crested
worm,” are vigorous and original, but do not save the sonnet. And
as to the last two lines,
“Nor seek to pierce the viewless shield of years,
For that you certainly could never do,”
Mr. Mayhem must excuse us if we say that the order of the lines
make a sheer bathos.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account