The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters — John Shaqi
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to LettersBelloc, Hilaire
General
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters
Belloc, Hilaire
Authorship; Satire
It now behoves me to detail with great accuracy the circumstances
surrounding his immersion, the degree of danger that he ran, and
how he was saved. In the first place, Mr. Thorpe fell in at the
last of the ebb, so that there was no tide to sweep him out to
sea; in the second place, the depth of water at that spot was
exactly five feet two inches, so that he could--had he but known
it--have walked ashore (for he was, of course, over six feet in
height); in the third place, the river has here a good gravelly
bed, as you ought to know, for the clay doesn’t begin till you get
beyond Battersea Bridge--and, by the way, this gravel accounts
for the otherwise inexplicable phenomenon of the little boys that
will dive for pennies at low tide opposite the shot tower; in the
fourth place, the water, as one might have imagined at that season
of the year, was warm and comfortable; in the fifth place, there
lay but a few yards from him a Police Pier, crowded with lines,
lifebuoys, boats, cork-jackets, and whatnot, and decorated, as to
its Main Room, with a large placard entitled “First help to the
drowning,” the same being illustrated with cuts, showing a man
of commonplace features fallen into the hands of his religious
opponents and undergoing the torture. Therefore it is easy to see
that he could have either saved himself or have been saved by
others without difficulty. Indeed, for Mr. Thorpe to have drowned,
it would have been necessary for him to have exercised the most
determined self-control, and to have thought out the most elaborate
of suicidal plans; and, as a fact, he was within forty-three
seconds of his falling in pulled out again by a boat-hook, which
was passed through the back of his frock coat: and that is a lesson
in favour of keeping one’s coat buttoned up like a gentleman,
and not letting it flap open like an artist or an anarchist, or
a fellow that writes for the papers. But I digress. The point
is, that Mr. Thorpe was immediately saved, and there (you might
think) was an end of the matter. Indeed, the thing seems to come
to a conclusion of its own, and to be a kind of epic, for it has a
beginning where Mr. Thorpe falls into the water (and, note you, the
beginning of all epics is, or should be, out of the text); it has
a middle or “action,” where Mr. Thorpe is floundering about like
a sea monster, and an end, where he is pulled out again. They are
of larger scope than this little story, and written in a pompous
manner, yet the _Iliad_, the _Æneid_, Abbo’s _Siege of Paris_, the
_Chanson de Roland_, _Orlando Furioso_, _Thalaba the Destroyer_,
and Mr. Davidson’s shorter lyrics have no better claim to be epics
in their essentials than has this relation of _The Accident to Mr.
Thorpe_. So, then (you say), that is the end; thank you for the
story; we are much obliged. If ever you have another simple little
story to tell, pray publish it at large, and do not keep it for
the exquisite delight of your private circle. We thank you again a
Public-domain text, read in full here on John Shaqi.
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