The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters — John Shaqi
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to LettersBelloc, Hilaire
General
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters
Belloc, Hilaire
Authorship; Satire
He was very pleased to get this letter. It was the first reply he
had ever got from an editor, and he took it up unopened to the
Holborn, to read it during lunch. But there was very little to
read. The original verse had folded round it a nice half-sheet of
cream-laid notepaper, with a gold _fleur de lis_ in the corner, and
underneath the motto, “Devoir Fera”; then, in the middle of the
sheet, three or four lines of fine copperplate engraving, printed
also in gold, and running as follows:--
“The editor of _Culture_ regrets that he is unable to accept the
enclosed contribution; it must not be imagined that any adverse
criticism or suggestion is thereby passed upon the work; pressure
of space, the previous acceptation of similar matter, and other
causes having necessarily to be considered.”
Peter was so much encouraged by this, that he sent his verses at
once to Mr. McGregor, changing, however, the word “rude” in the
fourth line to “rough,” and adding a comma after “rapt,” points
insignificant in themselves perhaps, but indicative of a critic’s
ear, and certain (as he thought) to catch the approval of the
distinguished scholar. In twenty-four hours he got his reply in the
shape of an affectionate letter, enclosing his MSS.:--
“My dear Peter,
“No; I should be doing an injustice to my readers if I were
to print your verse in the _Doctrinaire_; but you must not
be discouraged by this action on my part. You are still very
young, and no one who has followed (as you may be sure I have)
your brilliant career at the University can doubt your ultimate
success in whatever profession you undertake. But the path of
letters is a stony one, and the level of general utility in such
work is only reached by the most arduous efforts. I saw your
Aunt Phœbe the other day, and she was warm in your praises. She
told me you were thinking of becoming an architect; I sincerely
hope you will, for I believe you have every aptitude for that
profession. Plod on steadily and I will go warrant for your
writing verse with the best of them. It is _inevitable_, my dear
Peter, that one’s early verse should be imitative and weak; but
you have the ‘inner voice,’ do but follow the gleam and never
allow your first enthusiasms to grow dim.
“Always your Father’s Old Friend,
“ARCHIBALD WELLINGTON MCGREGOR.”
Peter was a little pained by this; but he answered it very
politely, inviting himself to lunch on the following Thursday, and
then, turning to his verses, he gave the title “Dead,” and sent
them to the _Patriot_, from whom he got no reply for a month.
He then wrote to the editor of the _Patriot_ on a postcard, and
said that, in view of the present deplorable reaction in politics,
he feared the verses, if they were held over much longer, would
lose their point. Would the _Patriot_ be so kind, then, as to let
him know what they proposed to do with the Poem?
He got a reply the same evening:--
Public-domain text, read in full here on John Shaqi.
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