The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to LettersBelloc, Hilaire
General
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters
Belloc, Hilaire
Authorship; Satire
“Telephone 239. “36A, Clare Market,
“Telegraph, ‘Vindex.’ “W.C.
“Dr. Sir,
“Your estd. favor to hand. No stamp being enclosed with verses,
we have retained same, but will forward on receipt of two stamps,
including cost of this.
“Faithfully yrs.,
“ALPHONSE RIPHRAIM.
“Please note change of address.”
By this Peter Gurney was so angered, that he walked straight over
to his club, rang up No. 239, and told the editor of the _Patriot_,
personally, by word of mouth, and with emphasis, that he was a
Pro-Boer; then he rang off before that astonished foreigner had
time to reply.
But men of Mr. Peter Gurney’s stamp are not cast down by these
reverses. He remembered one rather low and insignificant sheet
called the _Empire_, in which a vast number of unknown names had
been appearing at the bottom of ballads, sonnets, and so forth,
dealing mainly with the foreign policy of Great Britain, to which
country (as being their native land) the writers were apparently
warmly attached.
Peter Gurney flattered himself that he understood why the _Empire_
made a speciality of beginners. It was a new paper with little
capital, and thought (wisely enough) that if it printed many such
juvenilia it would, among the lot, strike some vein of good verse.
He had heard of such ventures in journalism, and remembered being
told that certain sonnets of Mr. Lewis Morris, and even the earlier
poems of Tennyson, were thus buried away in old magazines. He
copied out his verses once more, gave them the new title “Aspiro,”
and sent them to the _Empire_. He got a very polite letter in
reply:--
“Dear Mr. ---- I have read your verses with much pleasure, and
see by them that the praise I have heard on all sides of your
unpublished work was not unmerited. Unfortunately, the _Empire_
cannot afford to pay anything for its verse; and so large has
been the demand upon our space, that we have been compelled to
make it a rule that all contributions of this nature should pay
a slight premium to obtain a space in our columns. But for this
it would be impossible to distinguish between competitors without
the risk of heartburnings and petty jealousies. We enclose our
scale of charges, which are (as you see) purely nominal, and
remain, awaiting your order to print,
“Yours truly,
“WILLIAM POWER.”
I need hardly tell you that Peter, on receiving this letter, put
two farthings into an envelope addressed to William Power, and was
careful not to register or stamp it.
As for his Poem, he changed the title to “They Live!” and sent
it to the editor of _Criticism_. Next day he was not a little
astonished to get his verses back, folded up in the following
waggish letter:--
“The Laurels,
“20, Poplar Grove,
“S.W.
“Monday, the 21st of April.
“Sir,
Public-domain text, read in full here on John Shaqi.
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