The Ainu group at the Saint Louis ExpositionStarr, Frederick
History
The Ainu group at the Saint Louis Exposition
Starr, Frederick
Ainu; Louisiana Purchase Exposition (1904 : Saint Louis, Mo.)
We were excellently treated by the chief, who ordered articles
brought in for sale, and who at last, with extraordinary amiability,
allowed us to examine the holiest of holies, the household _inao_,
which stands in the extreme northeast corner of the house and
ought never to be removed. It is an upright stick to which loose
_inao_ curls are hung, from time to time, until the mass becomes
great. It represents the spirit of the house and, underneath the
mass of pendant curls, a notch is cut into which a coal from the
hearth, called “the heart,” is bound. This was brought out for our
inspection and we were even allowed to look at the place of “the
heart.” The coal itself was gone, though the notch, blackened by
the heat, remained, and a new heart was to be inserted at the next
extraordinary festival of the house. Now passing outside, we found
the house, which we had purchased, a wreck. A crowd of men, women,
and children were engaged in wrapping, cording, and moving the
materials to the station. It was evening, and, as we were very tired,
we betook ourselves to the house of the local catechist, a Japanese,
where we ate and slept.
We had brought Mr. Inagaki with us, whose services as interpreter and
caretaker of the Ainu, we had been so fortunate as to secure. The
people speak no English, of course, but they all know some Japanese;
Mr. Inagaki speaks Japanese and English. Born in southern Japan, he
is studying for the Episcopal ministry at the theological school at
Tokio, where he is well thought of by Bishop McKim. His health broke
down, and, forced to discontinue study for a time, he was furloughed
to Yezo, where it was hoped that outdoor life would do him good. He
is willing and competent. When we left in the morning, he remained
to superintend the shipment of the house to Muroran, coming up to
Sapporo on the afternoon train. We had been promised a war-club, but
could not secure it last night, as it was in the house where the
feast was in progress. In the cold, fresh, bright morning, we walked
out to secure it. It was a fine old specimen, well cut, with the
inset piece of iron still in place, black with the accumulated dirt
and smoke of years, and tied around with fresh _inao_ shavings in
honor of yesterday’s feast. At the last moment the owner repented
and hesitated about selling. But we secured it and hurried in
triumph to our train. There is no equally good specimen at the Tokio
University, nor in the Sapporo Museum and we might look long for
another so good.
[Illustration: OLD WAR CLUB: SHIRAOI.]
Public-domain text, read in full here on John Shaqi.
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