The Alósaka cult of the Hopi IndiansFewkes, Jesse Walter
Religion
The Alósaka cult of the Hopi Indians
Fewkes, Jesse Walter
Hopi Indians -- Religion
Thus, while the equal-armed cross sometimes becomes a sun symbol, this
by no means implies that the cross may not also have other meanings.
The signification of symbols depends on association, and the simple
emblem described may have an entirely different meaning in other
associations. There is no more constant decoration used in the
ornamentation of ancient Hopi pottery than the cross, yet to interpret
this simple figure as invariably a sun symbol would be absurd, for it
may mean the sky, the four world-quarters, the four winds, the sun, or
a star; or it may be employed simply as an insignificant decorative
motive. Such simple designs as the cross, the circle, or the triangle,
in primitive symbolism, may often be regarded as simply qualitative
and are so used in pictography, their true meaning in specific
cases depending on their association with other figures. In certain
associations a circle is a sun symbol, in others an earth symbol;
an equal-armed cross with a figure of a rapacious bird sometimes
represents the sun, in other instances the four cardinal points, which,
with the Hopi, are purely terrestrial directions or positions on the
horizon.
[Illustration: PL. XXV
HOPI SUN SYMBOLISM
_a_, Common Hopi sun symbol. _b_, “Big-head,” a solar god. _c_,
Kwátaka, bird with sun symbolism. _d_, Ahole.]
Returning to the common symbol of the sun, or the disk with painted
design and radiating peripheral eagle feathers, we find on comparing
it with the symbolism of the head of a sun god (plate XXV, _b_), a
close similarity. Among the features common to both are the markings
on the upper half of the face, the radiating feathers, and the cross
extensions. The marks on the sun disk, indicating eyes, are here
replaced by balls, but of greater importance in future comparison, the
mouth or double triangle is represented by a curving beak. The reason
for the substitution of this form of mouth is apparent in a comparison
with the head of the doll of _Kwátaka_ (plate XXV, _c_), where a bird’s
head, wings, and tail are all represented. The symbolic design on the
body of this bird doll is strictly comparable with those on the two sun
symbols previously mentioned. The radiating feathers are replaced by
tail and wings, while the head is suggested by the curved beak of the
second symbol. A comparison of these three figures leads to the belief
that they are three different sun symbols.
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