The Alhambra and the Kremlin: The South and the North of Europe — John Shaqi
The Alhambra and the Kremlin: The South and the North of EuropePrime, Samuel Irenæus
History
The Alhambra and the Kremlin: The South and the North of Europe
Prime, Samuel Irenæus
Europe -- Description and travel
It is quite impracticable to convey by words, and it is a fact that
drawings or photographs of interiors fail to convey an idea of the view
which one meets on entering a vast cathedral. The impression is on a
devout mind, whether of the same faith with that professed by the
ministers at these altars or not, the impression is one of solemnity and
sublimity. When the enlightened stranger comes near to study the
wretched additions which superstition has made to the simplicity of
Christian worship as established by its founder, his taste and
principles may be shocked and revolted by what he sees and hears in
gorgeous and glorious cathedrals. But these are abuses that have crept
in: _fungi_ on the trunks of grand old forest trees, under whose
branches it is a delight to sit and think of him who dwells in a nobler
temple not made with hands. Three hundred feet long, and two hundred
feet and more wide within, and chapels yet beyond, each one large enough
for a church, and two hundred feet to the roof, which is supported by
vast pillars of stone, and each one of them wrought elaborately with
garlands, and fruits, and images of angels, and historic scenes and
incidents in Scripture,—such is the first grand view that lies before
us, as we enter the gates of this cathedral in Burgos. It is in the form
of the Latin cross, and at the intersection, the _crucero_, as it is
called in Spanish, the effect of the vaulted dome, and of the whole
minute and elegant workmanship, is so exquisite that the Emperor Charles
V. is reported to have said it should be placed under glass, and Philip
II. pronounced it the work rather of angels than men. I could discern
nothing worthy of such exaggerated eulogy, while admiring the harmonious
proportions and the graceful combinations that enhance the effect of
elaborate sculpture and ingenious decorations.
Four massive columns, embellished with allegorical sculptures, form the
transept, and above them the main arches spring. Angels bear aloft a
banner, inscribed, “I will praise thee in thy temple, and I will glorify
thy name, thou whose works are miracles.”
Public-domain text, read in full here on John Shaqi.
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