Death -- Fiction; Forgiveness -- Fiction; Memory -- Fiction
Transcribed from the 1916 Martin Secker edition by David Price, email
ccx074@pglaf.org
THE ALTAR OF
THE DEAD
BY HENRY JAMES
[Picture: Graphic]
* * * * *
LONDON: MARTIN SECKER
NUMBER FIVE JOHN STREET ADELPHI
* * * * *
This edition first published 1916
The text follows that of the
Definitive Edition
CHAPTER I.
He had a mortal dislike, poor Stransom, to lean anniversaries, and loved
them still less when they made a pretence of a figure. Celebrations and
suppressions were equally painful to him, and but one of the former found
a place in his life. He had kept each year in his own fashion the date
of Mary Antrim’s death. It would be more to the point perhaps to say
that this occasion kept _him_: it kept him at least effectually from
doing anything else. It took hold of him again and again with a hand of
which time had softened but never loosened the touch. He waked to his
feast of memory as consciously as he would have waked to his
marriage-morn. Marriage had had of old but too little to say to the
matter: for the girl who was to have been his bride there had been no
bridal embrace. She had died of a malignant fever after the wedding-day
had been fixed, and he had lost before fairly tasting it an affection
that promised to fill his life to the brim.
Of that benediction, however, it would have been false to say this life
could really be emptied: it was still ruled by a pale ghost, still
ordered by a sovereign presence. He had not been a man of numerous
passions, and even in all these years no sense had grown stronger with
him than the sense of being bereft. He had needed no priest and no altar
to make him for ever widowed. He had done many things in the world—he
had done almost all but one: he had never, never forgotten. He had tried
to put into his existence whatever else might take up room in it, but had
failed to make it more than a house of which the mistress was eternally
absent. She was most absent of all on the recurrent December day that
his tenacity set apart. He had no arranged observance of it, but his
nerves made it all their own. They drove him forth without mercy, and
the goal of his pilgrimage was far. She had been buried in a London
suburb, a part then of Nature’s breast, but which he had seen lose one
after another every feature of freshness. It was in truth during the
moments he stood there that his eyes beheld the place least. They looked
at another image, they opened to another light. Was it a credible
future? Was it an incredible past? Whatever the answer it was an
immense escape from the actual.
Public-domain text, read in full here on John Shaqi.
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