Sometimes in the Latin Quarter come grave moments, grim and gloomy
moments—moments when the students shun the cafés; when their lady
friends, Mesdemoiselles Mimi and Musette—Mürger’s daughters, Daughters of
Bohemia—look pale and anxious, and whisper together as though alarmed;
when the spectator, observing this depression, becomes himself depressed.
At such a time the women whose clothes are shabby, whose faces are
tragical (the faded Mimis, the Musettes of years ago) come out of those
corners to which their unattractiveness has condemned them; come out,
and congregate—skeletons some of them, swollen, shapeless creatures the
rest—all, considering their usual comparative obscurity, ominous. When
the temper of the Quarter is blithe, they must look on forlornly from
the background. No one heeds them; no one invites them to accept an
olive or sip a _bock_. But when the Quarter has been horrified by some
tragedy, some crime, they, on account of their memories and experiences,
on account, too, of their own connection with tragedy—they, then, are
sought after; they, then, talk the most; they, then, hold the longest and
completest version of the matter that has brought on the gloom.
Recently, at three o’clock in the morning, I heard these shabby,
solitary women chattering more ominously than usual in Madame Bertrand’s
hospitable milk-shop. There, after the cafés have been closed, the
students assemble to devour sandwiches, _brioches_, hot rolls; but
upon the occasion in question the only customers present were Mürger’s
elderly, unattractive daughters. And whilst sipping hot milk or coffee,
and biting hungrily into a penny roll, they listened to the tale of a
woman—the palest, the most wasted of this forlorn group of women, whose
coat and skirt were red, whose boots were muddy, whose gloves betrayed
stitching done upstairs in her dim back room.
Occasionally her narrative was interrupted by a short, sharp cough. She
lost her breath; pressed her hand to her breast; cleared her throat.
“Continue,” said the others impatiently. “I continue,” she replied.
Public-domain text, read in full here on John Shaqi.
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