And then, whilst listening also, I learnt that a certain Marcelle played
the chief rôle in the story: Marcelle, blithest of Mürger’s younger
daughters, Marcelle the _vraie gamine_, Marcelle the lively little lady
who always wore a bicycling suit, yet never bicycled; who appeared
seventeen, but in reality was twenty-two; who danced down the Boul’ Mich’
arm-in-arm with the students—she the gayest of the party, her step the
lightest, her Chinese lantern the largest; who was liked by one and all,
and to whom everyone was _mon cher_.... Marcelle the Candid! A brunette,
she took it into her head to become a blonde. “C’est chic d’être blonde,”
she cried: then some days later appeared on the Boul’ Mich’ with flaxen
hair. And she drew attention to this striking metamorphosis, exclaiming:
“Inspect me; stare at me! Am I not ravishing? Isn’t it a success? Such a
dye! Only five francs a bottle—a large bottle—also perfumed!” And drank
a toast... “to the new colour!” And vowed that, with it, began a new
era. And afterwards, when relating reminiscences, naïvely explained:
“That was in the days when I was a brunette.” And constantly sang, in
a shrill voice, that favourite sentimental ballad, _Les Blondes_....
Marcelle the Sympathetic! Each student found in her a patient, a friendly
listener. She was ready to bear with chaotic, interminable narratives of
jealousies, worries, woes. She would propose a drive, a long drive, in an
open cab—the grievance to be unfolded on the way. “Tell the _cocher_,”
she would say to the student, “to choose a deserted route—so that you may
rage and despair, and weep as much as you please. Open your poor heart,
_mon cher_. Keep nothing back. _Allez_, you can trust Marcelle.”...
Marcelle the Sentimental, the Nature-loving! After a noisy luncheon-party
in the country, she would command an adjournment to the wood. Childlike
she sought for flowers, running hither and thither, uttering shrill
little cries of astonishment and rapture. And lingered and lingered in
the wood. And vowed she would not return to Paris before the departure
of the very last train. And asked naïve questions about the moon and the
stars. And murmured: “How sweet is the country, how exquisite!”—shrinking
nevertheless from the bats and mosquitoes. And went to bed immediately
upon reaching Paris—so as not to spoil “the impression” of the country.
And dreamt happily, dreamt as she had never dreamt before—“mon cher!”
Bright Marcelle; and, in spite of her follies, admirable Marcelle! The
shabby, solitary women—the faded Mimis, the Musettes of years ago—had in
her a friend.
Had?... Had; but have no longer.
“_Murdered!_” said the woman in the red dress—huskily—in Madame
Bertrand’s hospitable milk-shop, of Marcelle the Blonde. Murdered; but
no matter how. Murdered; and lying in a room, round the corner, with
candles burning by the death-bed.
Public-domain text, read in full here on John Shaqi.
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