Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
“With his actual influence?” Oh little Bilham had for this enquiry the
sharpest of all his controls. “How can he ‘do’—on any terms
whatever—when he’s flagrantly spoiled?”
Strether could only meet the question with his passive, his receptive
pleasure. “Well, thank goodness, _you’re_ not! _You_ remain for her to
save, and I come back, on so beautiful and full a demonstration, to my
contention of just now—that of your showing distinct signs of her
having already begun.”
The most he could further say to himself—as his young friend turned
away—was that the charge encountered for the moment no renewed denial.
Little Bilham, taking his course back to the music, only shook his
good-natured ears an instant, in the manner of a terrier who has got
wet; while Strether relapsed into the sense—which had for him in these
days most of comfort—that he was free to believe in anything that from
hour to hour kept him going. He had positively motions and flutters of
this conscious hour-to-hour kind, temporary surrenders to irony, to
fancy, frequent instinctive snatches at the growing rose of
observation, constantly stronger for him, as he felt, in scent and
colour, and in which he could bury his nose even to wantonness. This
last resource was offered him, for that matter, in the very form of his
next clear perception—the vision of a prompt meeting, in the doorway of
the room, between little Bilham and brilliant Miss Barrace, who was
entering as Bilham withdrew. She had apparently put him a question, to
which he had replied by turning to indicate his late interlocutor;
toward whom, after an interrogation further aided by a resort to that
optical machinery which seemed, like her other ornaments, curious and
archaic, the genial lady, suggesting more than ever for her fellow
guest the old French print, the historic portrait, directed herself
with an intention that Strether instantly met. He knew in advance the
first note she would sound, and took in as she approached all her need
of sounding it. Nothing yet had been so “wonderful” between them as the
present occasion; and it was her special sense of this quality in
occasions that she was there, as she was in most places, to feed. That
sense had already been so well fed by the situation about them that she
had quitted the other room, forsaken the music, dropped out of the
play, abandoned, in a word, the stage itself, that she might stand a
minute behind the scenes with Strether and so perhaps figure as one of
the famous augurs replying, behind the oracle, to the wink of the
other. Seated near him presently where little Bilham had sat, she
replied in truth to many things; beginning as soon as he had said to
her—what he hoped he said without fatuity—“All you ladies are
extraordinarily kind to me.”
Public-domain text, read in full here on John Shaqi.
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