Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
at first, naturally, but have gazed in surprise and alarm; whereby the
_situation_ clearly would spring from the play of wildness and the
development of extremes. I saw in a moment that, should this
development proceed both with force and logic, my “story” would leave
nothing to be desired. There is always, of course, for the
story-teller, the irresistible determinant and the incalculable
advantage of his interest in the story _as such_; it is ever,
obviously, overwhelmingly, the prime and precious thing (as other than
this I have never been able to see it); as to which what makes for it,
with whatever headlong energy, may be said to pale before the energy
with which it simply makes for itself. It rejoices, none the less, at
its best, to seem to offer itself in a light, to seem to know, and with
the very last knowledge, what it’s about—liable as it yet is at moments
to be caught by us with its tongue in its cheek and absolutely no
warrant but its splendid impudence. Let us grant then that the
impudence is always there—there, so to speak, for grace and effect and
_allure_; there, above all, because the Story is just the spoiled child
of art, and because, as we are always disappointed when the pampered
don’t “play up,” we like it, to that extent, to look all its character.
It probably does so, in truth, even when we most flatter ourselves that
we negotiate with it by treaty.
All of which, again, is but to say that the _steps_, for my fable,
placed themselves with a prompt and, as it were, functional
assurance—an air quite as of readiness to have dispensed with logic had
I been in fact too stupid for my clue. Never, positively, none the
less, as the links multiplied, had I felt less stupid than for the
determination of poor Strether’s errand and for the apprehension of his
issue. These things continued to fall together, as by the neat action
of their own weight and form, even while their commentator scratched
his head about them; he easily sees now that they were always well in
advance of him. As the case completed itself he had in fact, from a
good way behind, to catch up with them, breathless and a little
flurried, as he best could. _The_ false position, for our belated man
of the world—belated because he had endeavoured so long to escape being
one, and now at last had really to face his doom—the false position for
him, I say, was obviously to have presented himself at the gate of that
boundless menagerie primed with a moral scheme of the most approved
pattern which was yet framed to break down on any approach to vivid
facts; that is to any at all liberal appreciation of them. There would
have been of course the case of the Strether prepared, wherever
presenting himself, only to judge and to feel meanly; but _he_ would
have moved for me, I confess, enveloped in no legend whatever. The
actual man’s note, from the first of our seeing it struck, is the note
of discrimination, just as his drama is to become, under stress, the
Public-domain text, read in full here on John Shaqi.
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