Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
drama of discrimination. It would have been his blest imagination, we
have seen, that had already helped him to discriminate; the element
that was for so much of the pleasure of my cutting thick, as I have
intimated, into his intellectual, into his moral substance. Yet here it
was, at the same time, just here, that a shade for a moment fell across
the scene.
There was the dreadful little old tradition, one of the platitudes of
the human comedy, that people’s moral scheme _does_ break down in
Paris; that nothing is more frequently observed; that hundreds of
thousands of more or less hypocritical or more or less cynical persons
annually visit the place for the sake of the probable catastrophe, and
that I came late in the day to work myself up about it. There was in
fine the _trivial_ association, one of the vulgarest in the world; but
which give me pause no longer, I think, simply because its vulgarity is
so advertised. The revolution performed by Strether under the influence
of the most interesting of great cities was to have nothing to do with
any _bêtise_ of the imputably “tempted” state; he was to be thrown
forward, rather, thrown quite with violence, upon his lifelong trick of
intense reflexion: which friendly test indeed was to bring him out,
through winding passages, through alternations of darkness and light,
very much _in_ Paris, but with the surrounding scene itself a minor
matter, a mere symbol for more things than had been dreamt of in the
philosophy of Woollett. Another surrounding scene would have done as
well for our show could it have represented a place in which Strether’s
errand was likely to lie and his crisis to await him. The _likely_
place had the great merit of sparing me preparations; there would have
been too many involved—not at all impossibilities, only rather worrying
and delaying difficulties—in positing elsewhere Chad Newsome’s
interesting relation, his so interesting complexity of relations.
Strether’s appointed stage, in fine, could be but Chad’s most luckily
selected one. The young man had gone in, as they say, for circumjacent
charm; and where he would have found it, by the turn of his mind, most
“authentic,” was where his earnest friend’s analysis would most find
_him_; as well as where, for that matter, the former’s whole analytic
faculty would be led such a wonderful dance.
Public-domain text, read in full here on John Shaqi.
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