The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Such was the sympathy of Nature--that wild, heathen Nature of the
forest, never subjugated by human law, nor illumined by higher
truth--with the bliss of these two spirits! Love, whether newly
born, or aroused from a deathlike slumber, must always create a
sunshine, filling the heart so full of radiance that it overflows
upon the outward world. Had the forest still kept its gloom it
would have been bright in Hester’s eyes and bright in Arthur
Dimmesdale’s.
This liberation of her passion made of Hester a different woman.
She had wandered, without rule or guidance, in a moral wilderness;
as vast, as intricate and shadowy, as the untamed forest, amid the
gloom of which they were now holding a colloquy that was to decide
their fate. Her intellect and heart had their home, as it were, in
desert places, where she roamed as freely as the wild Indian in
his woods. For years past she had looked from this estranged point
of view at human institutions, and whatever priests or legislators
had established; criticising all with hardly more reverence than
the Indian would feel for the clerical band, the judicial robe, the
pillory, the gallows, the fireside, or the church.
Thus, insists Hawthorne, Hester’s misfortunes liberated her. The
scarlet letter (that is, if we judge her sin rightly) served her now
as a passport with which to penetrate into regions where women scarcely
dared go: “Shame, Despair, Solitude! These had been her teachers--stern
and wild ones--and they had made her strong, but taught her much amiss.”
Dimmesdale, too, reaches the same result. The basis of his optimism
since Hester rescued him from his neuroses is amoral (should one say
immoral!) as that of the woman he loves:
His decision once made, a glow of strange enjoyment threw its
flickering brightness over the trouble of his breast. It was the
exhilarating effect--upon a prisoner just escaped from the dungeon
of his own heart--of breathing the wild, free atmosphere of an
unredeemed, unchristianized, lawless region.
At that moment Dimmesdale’s spirit “rose, as it were, with a bound, and
attained a nearer prospect of the sky, than throughout all the misery
which had kept him grovelling on the earth.”
It is with good reason that the minister, upon issuing from the forest
hurled a defy at his former parishioners:
I am not the man for whom you take me. I left him yonder in the
forest, withdrawn into a secret dell, by a mossy tree trunk and
near a melancholy brook! Go, seek your minister, and see if his
emaciated figure, his thin cheek, his white, heavy, pain-wrinkled
brow, be not flung down there, like a cast-off garment.
The transformation, the conversion of Dimmesdale freed from repression,
is complete. It overthrows his whole philosophy of life. It makes of
him an amoralist and a Nietzschean. Listen to Hawthorne:
Public-domain text, read in full here on John Shaqi.
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