The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
Laurentius lived at Haarlem and was a man of property. He seems to have
been engaged in printing books from wood blocks or plates, well known
to antiquaries as the _Block Books_, in which the reading matter was
illustrated by rude pictures. Fragments of works so printed by him are
still in existence. Among others, the celebrated _Biblia Pauperum_,
executed between 1410 and 1420, has been attributed to him. It was only
natural that his thoughts should be led to the production of single
types, as a means of cheapening and facilitating his work. These were
first made of wood, and afterward of tin. The date of his invention of
separate types is given as about the year 1429. Other dates have been
stated, ranging from 1422 to 1436. The first of his printed books, it is
claimed, was the _Speculum Humanæ Salvationis_, of which about ten copies
are now known to be in existence. A small primer, or _Abecedarium_, in
our opinion, shows all the marks of the first attempt of an experimenter
in a new art. Koster died in 1439.
The necessity for employing workmen to assist in prosecuting the art
led to the divulging of the secret. Among these men, it is supposed,
was John Geinsfleisch, (or Gutenberg, Senior,) who, after learning the
processes, returned to Mentz, his native place, and communicated the
secret to his nephew, John Gutenberg, an ingenious artist of Strasburg.
It is in evidence that the latter, in connection with two partners, spent
a considerable amount of money in some private experiments. These appear
to have occupied several years, from 1436 to 1439, when a legal contest
arose as to the rights of one of the partners whose zealous activity had
caused his death. Gutenberg continued at Strasburg till 1444, when, his
means being exhausted, he rejoined his uncle at Mentz. Here he renewed
his experiments, and, needing money, he procured an introduction to John
Fust, a capitalist and money-lender, who seems to have been struck with
the importance of the work, and who advanced a considerable amount (all
the tools and presses being pledged as security) in furtherance of the
enterprise. Two years were occupied in making the types and necessary
machinery, when the great work of printing the Bible was begun. There
can be little doubt that, during all his years of experiment, Gutenberg
had executed smaller books, one of which is surmised to have been a
reproduction of the Dutch _Speculum_ of Koster. The _Donatus_ of 1451,
the _Appeal against the Turks_ of 1454, and the _Letters of Indulgence_
of 1454 and 1455, all appeared before the Bible,[2] which was not
published till 1455 or 1456. This great book marked an era in the art.[3]
It is painful to be told that about this time Fust foreclosed the
mortgage, and the entire work with all the materials passed into
his possession. It seems, however, that Gutenberg succeeded in
re-establishing a press, and continued to practise the art, but produced
no work at all comparable with the Bible. He died about 1468.
Public-domain text, read in full here on John Shaqi.
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