The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc. — John Shaqi
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
After securing possession of the establishment, Fust engaged the service
of Peter Schœffer, who had been apprentice or assistant to Gutenberg, and
who was distinguished for scholarship as well as mechanical skill. His
skill and the improvements made by him in the art soon led Fust to take
him into partnership, and the Bible, the Psalter, and other important
works were produced. Schœffer was further rewarded by the hand of the
grand-daughter of Fust.
From this rapid summary, we may conclude, 1. That the merit of the
invention of printing, however rude it may have been, belongs to Koster
of Haarlem; 2. That Gutenberg placed the art on a permanent foundation;
and, 3. That its economical application was insured by Peter Schœffer’s
invention of cast metal types.[4]
It was of course impossible to conceal the knowledge of an art so useful
to man, and within ten years after the publication of the great Bible
presses were established in several German cities, in Rome and other
parts of Italy, and soon thereafter in France and England.
William Caxton acquired a knowledge of the art in Germany, and carried it
into practice at Westminster in England. The year 1477 is now accepted
as the date of the introduction, the first book printed with a date in
England being the _Dictes and Sayinges of the Philosophers, emprynted by
me, William Caxton, at Westmestre, the yere of our Lord m.cccc.l.xxvij._
He had previously printed, without a date, _The Recuyell of the Historyes
of Troye_, which was followed by _The Game and Playe of the Chesse,
fynysshid the last day of marche the yer of our lord god. a. thousand
foure honderd and lxxiiii._ These were, however, printed at Bruges; so,
according to Mr. William Blades, “the first indisputable date we have to
stand on is the printing of _The Dictes_ in 1477.”
Though at that time over sixty years old, Caxton was notable for his
industrious habit. He was possessed of good sense and sound judgment;
steady, persevering, active, zealous, and liberal in his devices for
that important art which he introduced into England, labouring not only
as a printer, but as translator and author. The productions of his press
amount to sixty-four. In the churchwardens’ books of St. Margaret’s
Parish, Westminster, his death is thus recorded: “1491. Item, atte
bureyng of William Caxton, for iiii. torches vj_s._ viij_d._ Item, for
the belle atte same bureyng, vj_d._”
The Bible was printed in Spanish at Valencia in 1479 by Lambert
Palmaert, a German; but so completely was it afterward suppressed by the
Inquisition that only four leaves now remain in the archives of Valencia.
The first Hebrew Bible ever printed came from the press of Abraham
Colorito, at Soncino, in 1488—a very remarkable work. Iceland had its
printing-office in 1530, at which a Bible was printed in 1584.
ANCIENT PECULIARITIES.
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