The American Spirit in Literature: A Chronicle of Great Interpreters — John Shaqi
The American Spirit in Literature: A Chronicle of Great InterpretersPerry, Bliss
History
The American Spirit in Literature: A Chronicle of Great Interpreters
Perry, Bliss
American literature -- History and criticism
still read Plato and Dante.
"My mother grieves," wrote Benjamin Franklin to his father in 1738,
"that one of her sons is an Arian, another an Arminian. What an Arminian
or an Arian is, I cannot say that I very well know. The truth is I make
such distinctions very little my study." To understand Franklin's
indifference to such distinctions, we must realize how completely he
represents the secularizing tendencies of his age. What a drama of
worldly adventure it all was, this roving life of the tallow-chandler's
son, who runs away from home, walks the streets of Philadelphia with the
famous loaves of bread under his arm, is diligent in business, slips
over to London, where he gives lessons in swimming and in total
abstinence, slips back to Philadelphia and becomes its leading citizen,
fights the long battle of the American colonies in London, sits in the
Continental Congress, sails to Europe to arrange that French Alliance
which brought our Revolution to a successful issue, and comes home at
last, full of years and honors, to a bland and philosophical exit from
the stage!
He broke with every Puritan tradition. The Franklins were relatively
late comers to New England. They sprang from a long line of blacksmiths
at Ecton in Northamptonshire. The seat of the Washingtons was not far
away, and Franklin's latest biographer points out that the pink-coated
huntsmen of the Washington gentry may often have stopped at Ecton to
have their horses shod at the Franklin smithy. Benjamin's father came
out in 1685, more than fifty years after the most notable Puritan
emigration. Young Benjamin, born in 1706, was as untouched by the ardors
of that elder generation as he would have been by the visions of
Dante--an author, by the way, whom he never mentions, even as he never
mentions Shakespeare. He had no reverence for Puritan New England. To
its moral beauty, its fine severity, he was wholly blind. As a boy he
thriftily sold his Pilgrim's Progress. He became, in the new fashion of
that day, a Deist. Like a true child of the eighteenth century, his
attitude toward the seventeenth was that of amused or contemptuous
superiority. Thackeray has somewhere a charming phrase about his own
love for the back seat of the stage-coach, the seat which, in the old
coaching days, gave one a view of the receding landscape. Thackeray,
like Burke before him, loved historical associations, historical
sentiment, the backward look over the long road which humanity has
traveled. But Franklin faced the other way. He would have endorsed his
friend Jefferson's scornful sentence, "The dead have no rights." He
joined himself wholly to that eighteenth century in which his own lot
was cast, and, alike in his qualities and in his defects, he became one
of its most perfect representatives.
Public-domain text, read in full here on John Shaqi.
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