The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
“Say, Maury, think it over! What do you take me for, anyway? Do you
suppose I want to carry on a queer joint like this, always? It isn’t
merely my commission I’m thinking of when I’m asking you for your best
stuff! My littlest skirt will be growing up, and there’ll be others,
perhaps. Pants, too,—who knows? I wouldn’t like to have him, and them,
see me spend my days in a frisky, risky side-show like this!” His gesture
included the emerald-green elephant, as yet unbought, and beginning to
flake off a little at the tip of the trunk. “I like this art business—I
like it fine. But I want to carry it on in a way a fellow like you would
approve of, and respect, and be enthusiastic about!”
“Do you know,” answered Maurice, reflectively, “I begin to think that’s
just what you are doing, as fast as you can!” He spilled some cigar-ash
on the rug, and ground it in carefully with his foot, always a sign of
emotion in Price-of-Great-Pearls. And the two had parted, well pleased
with each other and with themselves.
Hence it was that Maurice, in reviewing the work of that good summer,
had decided, Academician though he was, to send to the Court of New
Departures his best-loved landscape. Farintosh was to have the rest.
They were all of them good stuff, too; he knew that. But not one of
them, either for his artist friends or for himself, surpassed in charm
and amplitude that southern picture of Ascutney, painted with Anthony’s
materials, too. At first blush, it seemed a high-keyed, ecstatic
picture, but a second glance revealed a multitude of lovely, lively
grays; dew-spangled or tear-touched, who could say? Maurice knew that
he had never before put so much of himself into any picture. It was
dyed-in-the-wool Price, by Jove it was! He told himself so, in a passion
of certainty. He knew, he knew, that beyond anything he had ever before
painted, it showed him at his best, intellectually and emotionally; it
revealed the man, and whatever mastery he had over his life and times;
and incidentally, his technique, too, a thing not to be despised in the
midst of larger considerations. Yes, the pearl among his pictures! He
smiled, remembering his nickname.
Public-domain text, read in full here on John Shaqi.
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