The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of taste — John Shaqi
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of tasteHogarth, William
Philosophy
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of taste
Hogarth, William
Aesthetics -- Early works to 1800
Our necessities have taught us to mould matter into various shapes,
and to give them fit proportions for particular uses, as bottles,
glasses, knives, dishes, &c. Hath not offence given rise to the
form of the sword, and defence to that of the shield? And what else
but proper fitness of parts hath fix'd the different dimensions of
pistols, muskets, great guns, fowling-pieces and blunderbusses; which
differences as to figure, may as properly be called the different
characters of fire-arms, as the different shapes of men are called
characters of men.
We find also that the profuse variety of shapes, which present
themselves from the whole animal creation, arise chiefly from the
nice fitness of their parts, designed for accomplishing the peculiar
movements of each.
And here I think will be the proper place to speak of a most curious
difference between the living machines of nature, in respect of
fitness, and such poor ones, in comparison with them, as men are only
capable of making; by means of which distinction, I am in hopes of
shewing what particularly constitutes the utmost beauty of proportion
in the human figure.
A clock, by the government's order, has been made, and another
now making, by Mr. Harrison, for the keeping of true time at sea;
which perhaps is one of the most exquisite movements ever made.
Happy the ingenious contriver! although the form of the whole, or of
every part of this curious machine, should be ever so confused, or
displeasingly shaped to the eye; and although even its movements should
be disagreeable to look at, provided it answers the end proposed. An
ornamental composition was no part of his scheme, otherwise than as
a pollish might be necessary. If ornaments are required to be added
to mend its shape, care must be taken that they are no obstruction to
the movement itself, and the more as they would be superfluous, as to
the main design.--But in nature's machines, how wonderfully do we see
beauty and use go hand in hand!
Had a machine for this purpose been nature's work, the whole and every
individual part would have had exquisite beauty of form without danger
of destroying the exquisiteness of its motion, even as if ornament had
been the sole aim; its movements too would have been graceful, without
one superfluous tittle added for either of these lovely purposes.--Now
this is that curious difference between the fitness of nature's
machines (one of which is man) and those made by mortal hands: which
distinction is to lead us to our main point proposed; I mean, to the
shewing what constitutes the utmost beauty of proportion.
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