“Here,” answered the governess, emerging reluctantly from the cabin,
muffled in a brown veil. Sunrise enthusiasm came hard to her; she knew
that hers was not the beauty that shines at dawn, and she had a great
longing for her matutinal coffee. Miss Sharp’s eyes were faintly blue,
she had the smallest quantity of the blondest hair disposed in two
ringlets on each side of her face, a shadowy little figure, indistinct
features, and a complexion that turned aguish on the slightest
provocation. Nevertheless, equal to the emergency, she immediately
superintended the tying down of Iris’s little round hat, and then, with
her heelless prunella gaiters fully revealed by the strong wind, and her
lisle-threaded hands struggling to repress the fluttering veil, she
stood prepared to do her duty by the fresh-water shell heaps or any
other geological formation. John Hoffman was walking up and down smoking
a Bohemian-looking pipe. “There is only one item, Miss St. John, in all
the twenty-five miles between the mouth of the river and Jacksonville,”
he said, pausing a moment near the bench where Sara and I sat as usual
together. “That headland opposite is St. Johns Bluff, the site of old
Fort Caroline, where, in 1564, a colony of French Huguenots established
themselves, and one year later were massacred, men, women, and children,
by the cut-throat Menendez, who took the trouble to justify his deed by
an inscription hung up over the bodies of his victims, ‘No por
Franceses, sino por Luteranos’--‘Not as Frenchmen, but as Lutherans.’ It
is a comfort to the unregenerate mind to know that three years later a
Frenchman sailed over and took his turn at a massacre, politely putting
up a second inscription, ‘Not as Spaniards, but as traitors, thieves,
and murderers.’”
[Illustration: SHOOTING ALLIGATORS ON THE ST. JOHNS.]
“That was certainly poetic justice,” I said. “Who would imagine that
such a drama had been enacted on that innocent hillside? What terrible
days they were!”
“Terrible, perhaps, but at least far more earnest as well as more
picturesque than our commonplace era,” said Sara, with her indifferent
air. She was generally either indifferent or defiant, and Aunt Diana
regarded her with disfavor as “a young person who wrote for the
magazines.” Sara was twenty-eight years old, a woman with pale cheeks,
weary eyes, a slight frown on her forehead, clear-cut features, and a
quantity of pale golden hair drawn rigidly back and braided close around
the head with small regard for fashion’s changes. I had met her in a
city boarding-house, and, liking her in spite of herself, we grew into
friendship; and although her proud independence would accept nothing
from me save liking, I was sometimes able to persuade her into a
journey, which she always enjoyed notwithstanding the inevitable
descriptive article which she declared lurked behind every bush and
waved a banner of proof-sheets at her from every sunshiny hill.
[Illustration: ENTRANCE TO ST. AUGUSTINE.]
Public-domain text, read in full here on John Shaqi.
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