JUST a few words at starting on the history of the bee in ancient and modern literature. Our work is not a critical survey, and still less an exhaustive treatise; but even that popular outline which it is our aim to produce seems defective without some mention of the great bee-students of the past. We find the first definitive description of the insect in Aristotle's "History of Animals," written about the middle of the fourth century before Christ, and combining much sound scientific information on our subject with other statements which better information has had to reject. A little before him lived Aristomachus, of Cilicia, who wrote works on agriculture and domestic economy which are lost to us except in a few quotations, but of whom we are told that he devoted some fifty-eight years to a continual observance of the habits of bees. One Philiscus, of Thasos, is mentioned as another of their votaries, who betook himself to a forest life in order uninterruptedly to pursue their study. Then just after the Christian era came Pliny the Elder, from whom we learn these few particulars of the two just named, and whose celebrated "Natural History," which is the work rather of a student than of a master, honours the bee with an elaborate and interesting description. Shortly after him Columella, in his work "On Rustic Matters," gave copious instructions on bee-keeping, which, though reproducing some older errors, are greatly in advance of any that had appeared, and place him, for the accuracy that they display, at the head of the apiarians of antiquity. Theophrastus, Celsus, and Varro must also be ranked among the ancient writers whose attention was drawn to this industrious insect. But perhaps the most renowned of classic works upon the subject is the fourth book of the "Georgics" of Virgil, in which we are presented with a minute treatise upon bees and their culture, with all the sense as well as nonsense that then passed current thereupon, together with that most beautiful passage in the poet's writings, the story of the visit of Orpheus to the shades, which is appended by one of those incidental connecting-links of which ancient poets were wont to avail themselves.