THE ARM-CHAIR AT THE INN
[Illustration: Mignon]
THE ARM-CHAIR
AT THE INN
BY
F. HOPKINSON SMITH
WITH ILLUSTRATIONS BY
A. I. KELLER, HERBERT WARD
AND THE AUTHOR
[Illustration]
NEW YORK
CHARLES SCRIBNER'S SONS
1912
COPYRIGHT, 1912, BY
CHARLES SCRIBNER'S SONS
Published August, 1912
AUTHOR'S PREFACE
[Illustration]
If I have dared to veil under a thin disguise some of the men whose talk
and adventures fill these pages it is because of my profound belief that
truth is infinitely more strange and infinitely more interesting than
fiction. The characters around the table are all my personal friends;
the incidents, each and every one, absolutely true, and the setting of
the Marmouset, as well as the Inn itself, has been known to many
hundreds of my readers, who have enjoyed for years the rare hospitality
of its quaint and accomplished landlord.
F. H. S.
November, 1911
[Illustration]
CONTENTS
[Illustration]
CHAPTER PAGE
I. THE MARMOUSET 3
II. THE WOOD FIRE AND ITS FRIENDS 18
III. WITH SPECIAL REFERENCE TO A CERTAIN COLONY OF PENGUINS 34
IV. THE ARRIVAL OF A LADY OF QUALITY 60
V. IN WHICH THE DIFFERENCE BETWEEN A CANNIBAL AND A
FREEBOOTER IS CLEARLY SET FORTH 95
VI. PROVING THAT THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH 120
VII. IN WHICH OUR LANDLORD BECOMES BOTH ENTERTAINING AND
INSTRUCTIVE 144
VIII. CONTAINING SEVERAL EXPERIENCES AND ADVENTURES SHOWING
THE WIDE CONTRASTS IN LIFE 163
IX. IN WHICH MADAME LA MARQUISE BINDS UP BROKEN HEADS AND
BLEEDING HEARTS 182
X. IN WHICH WE ENTERTAIN A JAIL-BIRD 211
XI. IN WHICH THE HABITS OF CERTAIN GHOSTS, GOBLINS, BANDITS,
AND OTHER OBJECTIONABLE PERSONS ARE DULY SET FORTH 240
XII. WHY MIGNON WENT TO MARKET 267
XIII. WITH A DISSERTATION ON ROUND PEGS AND SQUARE HOLES 280
XIV. A WOMAN'S WAY 304
XV. APPLE-BLOSSOMS AND WHITE MUSLIN 335
ILLUSTRATIONS
[Illustration]
Mignon _Frontispiece_
FACING PAGE
Howls of derision welcomed him 30
Flooding the garden, the flowers, and the roofs 60
As her boy's sagging, insensible body was brought clear of the
wreck 132
Public-domain text, read in full here on John Shaqi.
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