The Army Mule, and Other War SketchesCastle, Henry A. (Henry Anson)
History
The Army Mule, and Other War Sketches
Castle, Henry A. (Henry Anson)
United States -- History -- Civil War, 1861-1865; United States. Army -- Military life
Here then was the sine of an arc which did not recognize equality in
the cosine of its supplement. The sorriest horse, though just released
from the duty of transporting miscellaneous triturations of real
estate in a dumpcart, with his alimentary system painfully void of
toothsome internal decoration, outranked the smoothest, softest Mule,
whether young or aged, black or sorrel, dun or gray. Nevertheless the
explanation of the fact that a rat-tailed cat-hammed Mule weighing
five hundred and thirty pounds, saw-backed, sharktoothed, and knobby
with protruding bones from throat-latch to crupper, could draw heavier
loads than a round robust Norman-Percheron horse weighing a ton,
remains to this day unknown, unguessable. Invidious comparison is
gross violation of consanguinity equal to marrying one's widow's
sister. The checked, banged and bitted high steppers of Fairmount
park, dear to the heart of placid quakers because their nerves can
endure the strain of "Curfew Shall Not Toll Tonight," or equivalent
atrocities, will not be involved therein; their pinked tennis-tan
harness, silver trimmed, with monograms at the joints and red stitches
in the tug, constitute a perpetual, effectual bar. There was one glory
of horse and another glory of mule, but no mule differed from another
mule in glory, by any palpable percentage. They had little regard for
the affinity of a somewhat common maternity. But whether rearing,
plunging, kicking, rolling in the mire or pawing at the clouds, they
were all equal. They met upon the level and parted on the square.
The war-horse of the late unpleasantness has been chiseled and painted
in many attitudes--especially that of unsupported suspension in the
atmosphere, with extended nose and carefully adjusted legs. Sheridan's
horse, propelled down the wild, disheveled turnpike by "a terrible
oath" at the rate of five (5) miles per stanza, hangs to the canvas in
a posture unnatural as that of some artillery steed swung by the
breeching from a tree after a caisson explosion. The war-horse has
been sufficiently pictured and carved. But he still lacks his literary
limner. Almost the sole description of him now accessible is that left
by the versatile Orpheus C. Kerr. There is embodied an analysis of
that celebrated Gothic steed presented to this Orpheus by his maiden
aunt and endeared to the saline affections of the mackerel brigade by
several amiable idiosyncrasies. Of whom it is written:
"The beast is fourteen hands high, fourteen hands long, and his
sagacious head is shaped like an old-fashioned pickax. Viewed from
the rear his style of architecture is Gothic, and has a gable end to
which his tail is attached. His eyes are two pearls set in mahogany,
and before he lost his sight were said to be brilliant." And more to
the same effect, intimating a diet of shoe pegs for oats and saw-dust
for millstuffs, save in the rare occasions when he could set his
inflexible teeth into a hay bale with unadulterated joy.
Public-domain text, read in full here on John Shaqi.
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