The Arrow of Gold: A Story Between Two NotesConrad, Joseph
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The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
She was being presented to me now in the Bois de Boulogne at the early
hour of the ultra-fashionable world (so I understood), on a light bay
“bit of blood” attended on the off side by that Henry Allègre mounted on
a dark brown powerful weight carrier; and on the other by one of
Allègre’s acquaintances (the man had no real friends), distinguished
frequenters of that mysterious Pavilion. And so that side of the frame
in which that woman appeared to one down the perspective of the great
Allée was not permanent. That morning when Mr. Blunt had to escort his
mother there for the gratification of her irresistible curiosity (of
which he highly disapproved) there appeared in succession, at that
woman’s or girl’s bridle-hand, a cavalry general in red breeches, on whom
she was smiling; a rising politician in a grey suit, who talked to her
with great animation but left her side abruptly to join a personage in a
red fez and mounted on a white horse; and then, some time afterwards, the
vexed Mr. Blunt and his indiscreet mother (though I really couldn’t see
where the harm was) had one more chance of a good stare. The third party
that time was the Royal Pretender (Allègre had been painting his portrait
lately), whose hearty, sonorous laugh was heard long before the mounted
trio came riding very slowly abreast of the Blunts. There was colour in
the girl’s face. She was not laughing. Her expression was serious and
her eyes thoughtfully downcast. Blunt admitted that on that occasion the
charm, brilliance, and force of her personality was adequately framed
between those magnificently mounted, paladin-like attendants, one older
than the other but the two composing together admirably in the different
stages of their manhood. Mr. Blunt had never before seen Henry Allègre
so close. Allègre was riding nearest to the path on which Blunt was
dutifully giving his arm to his mother (they had got out of their fiacre)
and wondering if that confounded fellow would have the impudence to take
off his hat. But he did not. Perhaps he didn’t notice. Allègre was not
a man of wandering glances. There were silver hairs in his beard but he
looked as solid as a statue. Less than three months afterwards he was
gone.
“What was it?” asked Mills, who had not changed his pose for a very long
time.
“Oh, an accident. But he lingered. They were on their way to Corsica.
A yearly pilgrimage. Sentimental perhaps. It was to Corsica that he
carried her off—I mean first of all.”
There was the slightest contraction of Mr. Blunt’s facial muscles. Very
slight; but I, staring at the narrator after the manner of all simple
souls, noticed it; the twitch of a pain which surely must have been
mental. There was also a suggestion of effort before he went on: “I
suppose you know how he got hold of her?” in a tone of ease which was
astonishingly ill-assumed for such a worldly, self-controlled,
drawing-room person.
Public-domain text, read in full here on John Shaqi.
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