The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
Just then some masks from outside invaded the café, dancing hand in hand
in a single file led by a burly man with a cardboard nose. He gambolled
in wildly and behind him twenty others perhaps, mostly Pierrots and
Pierrettes holding each other by the hand and winding in and out between
the chairs and tables: eyes shining in the holes of cardboard faces,
breasts panting; but all preserving a mysterious silence.
They were people of the poorer sort (white calico with red spots,
costumes), but amongst them there was a girl in a black dress sewn over
with gold half moons, very high in the neck and very short in the skirt.
Most of the ordinary clients of the café didn’t even look up from their
games or papers. I, being alone and idle, stared abstractedly. The girl
costumed as Night wore a small black velvet mask, what is called in
French a “_loup_.” What made her daintiness join that obviously rough
lot I can’t imagine. Her uncovered mouth and chin suggested refined
prettiness.
They filed past my table; the Night noticed perhaps my fixed gaze and
throwing her body forward out of the wriggling chain shot out at me a
slender tongue like a pink dart. I was not prepared for this, not even
to the extent of an appreciative “_Très foli_,” before she wriggled and
hopped away. But having been thus distinguished I could do no less than
follow her with my eyes to the door where the chain of hands being broken
all the masks were trying to get out at once. Two gentlemen coming in
out of the street stood arrested in the crush. The Night (it must have
been her idiosyncrasy) put her tongue out at them, too. The taller of
the two (he was in evening clothes under a light wide-open overcoat) with
great presence of mind chucked her under the chin, giving me the view at
the same time of a flash of white teeth in his dark, lean face. The
other man was very different; fair, with smooth, ruddy cheeks and burly
shoulders. He was wearing a grey suit, obviously bought ready-made, for
it seemed too tight for his powerful frame.
That man was not altogether a stranger to me. For the last week or so I
had been rather on the look-out for him in all the public places where in
a provincial town men may expect to meet each other. I saw him for the
first time (wearing that same grey ready-made suit) in a legitimist
drawing-room where, clearly, he was an object of interest, especially to
the women. I had caught his name as Monsieur Mills. The lady who had
introduced me took the earliest opportunity to murmur into my ear: “A
relation of Lord X.” (_Un proche parent de Lord X_.) And then she
added, casting up her eyes: “A good friend of the King.” Meaning Don
Carlos of course.
I looked at the _proche parent_; not on account of the parentage but
marvelling at his air of ease in that cumbrous body and in such tight
clothes, too. But presently the same lady informed me further: “He has
come here amongst us _un naufragé_.”
Public-domain text, read in full here on John Shaqi.
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