The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
I became then really interested. I had never seen a shipwrecked person
before. All the boyishness in me was aroused. I considered a shipwreck
as an unavoidable event sooner or later in my future.
Meantime the man thus distinguished in my eyes glanced quietly about and
never spoke unless addressed directly by one of the ladies present.
There were more than a dozen people in that drawing-room, mostly women
eating fine pastry and talking passionately. It might have been a
Carlist committee meeting of a particularly fatuous character. Even my
youth and inexperience were aware of that. And I was by a long way the
youngest person in the room. That quiet Monsieur Mills intimidated me a
little by his age (I suppose he was thirty-five), his massive
tranquillity, his clear, watchful eyes. But the temptation was too
great—and I addressed him impulsively on the subject of that shipwreck.
He turned his big fair face towards me with surprise in his keen glance,
which (as though he had seen through me in an instant and found nothing
objectionable) changed subtly into friendliness. On the matter of the
shipwreck he did not say much. He only told me that it had not occurred
in the Mediterranean, but on the other side of Southern France—in the Bay
of Biscay. “But this is hardly the place to enter on a story of that
kind,” he observed, looking round at the room with a faint smile as
attractive as the rest of his rustic but well-bred personality.
I expressed my regret. I should have liked to hear all about it. To
this he said that it was not a secret and that perhaps next time we met. . .
“But where can we meet?” I cried. “I don’t come often to this house, you
know.”
“Where? Why on the Cannebière to be sure. Everybody meets everybody
else at least once a day on the pavement opposite the _Bourse_.”
This was absolutely true. But though I looked for him on each succeeding
day he was nowhere to be seen at the usual times. The companions of my
idle hours (and all my hours were idle just then) noticed my
preoccupation and chaffed me about it in a rather obvious way. They
wanted to know whether she, whom I expected to see, was dark or fair;
whether that fascination which kept me on tenterhooks of expectation was
one of my aristocrats or one of my marine beauties: for they knew I had a
footing in both these—shall we say circles? As to themselves they were
the bohemian circle, not very wide—half a dozen of us led by a sculptor
whom we called Prax for short. My own nick-name was “Young Ulysses.”
I liked it.
Public-domain text, read in full here on John Shaqi.
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