The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
But chaff or no chaff they would have been surprised to see me leave them
for the burly and sympathetic Mills. I was ready to drop any easy
company of equals to approach that interesting man with every mental
deference. It was not precisely because of that shipwreck. He attracted
and interested me the more because he was not to be seen. The fear that
he might have departed suddenly for England—(or for Spain)—caused me a
sort of ridiculous depression as though I had missed a unique
opportunity. And it was a joyful reaction which emboldened me to signal
to him with a raised arm across that café.
I was abashed immediately afterwards, when I saw him advance towards my
table with his friend. The latter was eminently elegant. He was exactly
like one of those figures one can see of a fine May evening in the
neighbourhood of the Opera-house in Paris. Very Parisian indeed. And
yet he struck me as not so perfectly French as he ought to have been, as
if one’s nationality were an accomplishment with varying degrees of
excellence. As to Mills, he was perfectly insular. There could be no
doubt about him. They were both smiling faintly at me. The burly Mills
attended to the introduction: “Captain Blunt.”
We shook hands. The name didn’t tell me much. What surprised me was
that Mills should have remembered mine so well. I don’t want to boast of
my modesty but it seemed to me that two or three days was more than
enough for a man like Mills to forget my very existence. As to the
Captain, I was struck on closer view by the perfect correctness of his
personality. Clothes, slight figure, clear-cut, thin, sun-tanned face,
pose, all this was so good that it was saved from the danger of banality
only by the mobile black eyes of a keenness that one doesn’t meet every
day in the south of France and still less in Italy. Another thing was
that, viewed as an officer in mufti, he did not look sufficiently
professional. That imperfection was interesting, too.
You may think that I am subtilizing my impressions on purpose, but you
may take it from a man who has lived a rough, a very rough life, that it
is the subtleties of personalities, and contacts, and events, that count
for interest and memory—and pretty well nothing else. This—you see—is
the last evening of that part of my life in which I did not know that
woman. These are like the last hours of a previous existence. It isn’t
my fault that they are associated with nothing better at the decisive
moment than the banal splendours of a gilded café and the bedlamite yells
of carnival in the street.
Public-domain text, read in full here on John Shaqi.
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