The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964 — John Shaqi
The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964Field, Clark
History
The Art and the Romance of Indian Basketry: Clark Field Collection, Philbrook Art Center, Tulsa, 1964
Field, Clark
Indian baskets -- North America
This type of basket was made by the bride’s mother and is considered to
be the finest example of basketry produced by _Pomo_ Indians. The
_Chimopika_ (Dowry Basket) is presented to the bridegroom, by the
weaver, at the wedding ceremony. Sweetmeats, such as cakes of sugar from
sugar sap trees, are placed in the basket and passed around to the
guests.
The married couple retains this sacred memento of the marriage ceremony
as long as they both live, but if either of the couple dies the basket
is sacrificed in the cremation ceremony.
This basket was used in ceremonies prior to about 1889. They are no
longer made or used. This basket was obtained in 1937 from an Indian
Agent who at that date stated he had seen only six baskets of this type
on the reservation since 1907.
(See Plate 18b)
CEREMONIAL—CARRYING
1905
_White Mountain Apache_—White River, Arizona
Case No. 4:
This splendid specimen is woven mainly of lemon bush. The white area is
yucca plant and the black area is “Devil’s Claw,” or Martyna.
This basket was made by a _White Mountain Apache_ for use in the “Coming
Out Dance.”
When an Indian Girl reaches the marriageable age, a “Coming Out Dance”
is given in her honor. The girl’s relatives and friends are invited to
attend this important traditional ceremony. Drummers provide music as
the girl and her sponsor (usually her aunt) dance on a rug or on the
skin of an animal such as the bear or buffalo. These ceremonial baskets
are placed for the guests to view—the more guests, the more baskets
required. Each basket is filled with a mixture of sweetmeats, fruits and
other foods and is placed on a slope in order to make the contents
plainly visible to the guests.
After the ceremony the baskets are passed among the guests for the
contents to be enjoyed. They are then hung inside the house by the two
handles, until the next “Coming Out Dance.”
(See Plate 17c)
STORAGE
c. 1900
_Pima_—Arizona
Case No. 10:
This basket was used for storing mesquite beans after they had been
hulled. It is doubtful if this type of basket has been made since 1900.
(See Plate 8a)
For storage baskets of other tribes see:
Plate 6a: _Cherokee_
Plate 6d: _Ottawa_
Plate 7a: _Cherokee_
SEED CONTAINER
c. 300 A.D.
_Pueblo II_—Colorado
Case No. 4:
Evidence of the importance of basketry among the southwestern peoples of
the United States in the first few centuries of our era lies in the fact
that these peoples and their culture are referred to as the “Basket
Makers.”
Public-domain text, read in full here on John Shaqi.
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