The Art of Being Bored: A Comedy in Three Acts — John Shaqi
The Art of Being Bored: A Comedy in Three ActsPailleron, Edouard
General
The Art of Being Bored: A Comedy in Three Acts
Pailleron, Edouard
Comedy plays; French drama -- Translations into English
DUCHESS. (_Bursting forth_) Nonsense!
LADIES. Oh, Duchess!
BELLAC. (_Bowing to the_ DUCHESS) And yet, it exists. Noble spirits
have felt it, great poets sung its praises, and in the seats of Heaven,
the apotheosis of our dreams, we see, enshrined about with haloes of
ethereal brightness, those immortal figures, everlasting proof of an
undying and psychic love: Beatrice, Laura——
DUCHESS. Laura, the mother of eleven, my dear Monsieur!
LADIES. Duchess!
DUCHESS. Eleven! And you call her love psychic!
MME. DE LOUDAN. They were not Petrarch’s, Duchess; let’s have fair play.
BELLAC. Héloise——
DUCHESS. Oh, she!
BELLAC. And their sisters of more recent date: Elvira, Eloa, and many
others, known and unknown. That cohort of pure and unknown loves, is
growing from day to day—I call all womankind to witness!
LADIES. Ah, my dear, how true!
BELLAC. The soul has a language all its own; its aspirations, its
pleasures and its tortures belong to it: are its very existence. And if
it be chained to the body, it is like the wing of a bird: in order to
raise it to the heights!
LADIES. Ah, bravo!
BELLAC. (_Rising_) This is what modern science ought to take into
consideration—(_Looking at_ SAINT-RÉAULT) that science which a leaden
materialism drags down to earth—I shall add, since our venerable
master and friend made an allusion not long since—perhaps a trifle
over-hasty—to a loss which science, I hope, will not have to complain
of—I shall add—(_Looking at_ TOULONNIER, _to whom_ SAINT-RÉAULT _is
speaking_) in fine, this is what _he_ should teach to the youth who
have been under the guidance of Revel, he—whoever he may be—who will
be chosen to carry on the work; and not only (asking the pardon of our
illustrious colleague) upon the insufficient authority vested in those
who have “acquired the right,” or erudition, or age—ought he to base
his claim, but upon the irresistible power of a mind imbued with the
spirit of youth and of a fiery ardor which is not to be extinguished!
VOICES. Bravo!—Charming!—Exquisite!—Delicious!
(_Everyone rises. Confused murmurs of conversation. The ladies
surround_ BELLAC.)
DUCHESS. (_Aside_) That for you, Saint-Réault!
PAUL. (_Aside_) Candidate number two!
MME. DE LOUDAN. Ah, Monsieur Bellac!
SUZANNE. Dear Professor!
BARONESS. A veritable banquet of the soul!
MME. ARRIÉGO. Beautiful!
BELLAC. Oh, ladies, I have but given words to your ideas.
MME. DE LOUDAN. Flatterer! Charmer!
BELLAC. Are we reconciled yet, Marquise?
MME. DE LOUDAN. How can one be angry with you? (_Introducing the_
BARONESS) Madame la baronne de Boines—another conquest! She is at your
feet already!
BARONESS. You made me weep, Monsieur.
BELLAC. Oh, Madame la baronne!
MME. ARRIÉGO. Isn’t it superb!
BARONESS. Superb!
SUZANNE. And how warm he is! (BELLAC _looks for his handkerchief_) You
haven’t one? Here! (_She gives him her handkerchief_)
BELLAC. Oh, Mademoiselle!
MME. DE CÉRAN. Suzanne! The idea!
Public-domain text, read in full here on John Shaqi.
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