The art of glass-blowing : $b or Plain instructions for making the chemical and philosophical instruments which are formed of glassDanger, T.-P.
Science
The art of glass-blowing : $b or Plain instructions for making the chemical and philosophical instruments which are formed of glass
Danger, T.-P.
Glass blowing and working
You make choice of a tube which is not capillary, but of a sufficient
diameter, very cylindrical, with equal sides, and tolerably
substantial: it may generally be from the twentieth to the twelfth of
an inch thick in the glass. You soften two zones in this tube, more
or less near to each other, according to the bulk you desire to give
to the bulb, and you draw out the melted part in points. The talent
consists in _well-centering_--that is to say, in drawing out the melted
tube in such a manner that the thin parts or points shall be situated
exactly in the prolongation of the axis of the little portion of the
original tube remaining between them. This operation is technically
termed drawing _a cylinder between two points_. The tube so drawn out
is exhibited by pl. 1, fig. 4. You cut these points at some distance
from the central or thick part, and seal one end; you next completely
soften the little thick tube and expand it into a bulb, by blowing
with the precautions which have already been described. You must keep
the glass in continual motion, if you desire to be successful in this
experiment. Much rapidity of movement, and at the same time lightness
of touch, are requisite in the operation here described. It is termed
_blowing a bulb between two points_. Pl. 1, fig. 10, exhibits a bulb
blown between two points.
To obtain a _round_ bulb, you should hold the tube horizontally; to
obtain a _flattened_ bulb, you should hold it perpendicularly, with
the fused extremity turned above; to obtain a _pear-shaped_ bulb, you
should hold the fused extremity downwards.
When you are working upon a bulb between two points, or in the middle
of a tube, you should hold the tube horizontally, in the ordinary
manner; but you are to push the softened portion together, or to draw
it out, according as you desire to produce a ridge or a prolongation.
When you are at liberty to choose the point from which you are to blow,
you should prefer, 1st, that where the moisture of the breath can be
the least prejudicial to the instrument which is to be made; 2dly, that
which brings the part which is to be expanded nearest to your eye;
3dly, that which presents the fewest difficulties in the execution.
When bulbs are to be formed in complicated apparatus, it is good to
reflect a little on the best means of effecting the object. It is easy
to understand that contrivances which may appear very simple on paper,
present difficulties in the practical execution which often call for
considerable management.
8.--PIERCING.
You first seal the tube at one extremity, and then direct the point of
the flame on the part which you desire to pierce. When the tube has
acquired a _reddish-white_ heat, you suddenly remove it from the flame,
and forcibly blow into it. The softened portion of the tube gives way
before the pressure of the air, and bursts into a hole. You expose the
tube again to the flame, and border the edges of the hole.
Public-domain text, read in full here on John Shaqi.
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