The art of music, Vol. 05 (of 14) : $b The voice and vocal music — John Shaqi
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
Copyright, 1915, by
THE NATIONAL SOCIETY OF MUSIC, Inc.
[All Rights Reserved]
THE VOICE AND VOCAL MUSIC
INTRODUCTION
All the Arts, being emanations from the superman, are of the highest
significance to the human race therapeutically--the word being used in
its broadest possible significance. They are curative, they do us good.
There is happily no longer a ban put upon any one of them in the modern
world, except by an occasional religious sect, and even those survivors
of a prohibitory past are rapidly disappearing.
Enough can scarcely be said of the value of the literature of song
as it exists to-day. Whatever has been written or is yet to appear,
is a natural growth, and should be recognized as welling up from the
unsounded depths of the human mind, as something to be used for the
benefit, here and now, of young and old, male and female, rich and
poor, well and ill--as a fruit ‘for the healing of the nations.’ When
performed under proper circumstances, music--and particularly song,
because it is so individual--has a power for good that is amazing.
But this is not generally recognized; only by poets and dreamers
has it been stated. The words of such are accepted by the world at
large as beautiful generalizations, having no immediate or personal
significance, applicable to some realm of fancy, some Celtic fairyland,
as impossible as an Oriental heaven, but not to the sombre facts of
existence upon this earth--facts so discordant that none but a prophet
could by any stretch of the imagination reconcile them with a life of
harmony here. Personally I believe in the foresight of the prophets
and poets, and hope that Science will ere long come forward to set
the seal of authority upon their utterances. When this is done, song
will be accorded the position that so justly belongs to it, and its
place will not be an inferior one in the scheme of man’s development
through savagery into civilization, and beyond. The seers spoke better
than we know; they saw, and do see, through the veil of the present
into the beyond, through the paradoxical Paradise of parable into
the theoretical perfection in which the effort to attain practical
results will be one of the chiefest of joys. Is it not wonderful to
realize that music and song are so prominent in the utterances of these
hitherto misunderstood soothsayers? _Truth_-sayers are they in
sooth!
There is a noble work to be done in the endeavor to bring about
sensibly, systematically and scientifically, the realization of their
visions as they pertain to music, and a recognition of the value of
song and singing and the application of this beautiful and all but
universal gift to the betterment of conditions both personal and social.
Public-domain text, read in full here on John Shaqi.
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