The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
It is necessary, therefore, for the singer to study himself, to learn
by experience what is good and what is bad for him. This is a matter
in which individual peculiarities play so great a part that only very
general rules can safely be laid down. Singing within less than two
hours after the eating of a hearty meal is almost certain to have
an injurious effect on the voice. Exposure and over-fatigue must be
carefully avoided. Stimulants, especially alcohol and tobacco, have
a markedly bad influence on the mucous membranes of the throat. But
beyond general statements of this kind, so obvious indeed that their
truth is fairly well known, little can with safety be said as to the
regimen imposed on the singer. That one man’s meat is another man’s
poison is most strikingly true in its application to the voice. Many
famous singers have been excessive smokers without seeming to suffer
any ill results from the habit. Yet with most vocalists tobacco has
a very irritating effect on the mucous membranes. So, also, with
regard to eating and drinking, the widest differences of individual
constitution are seen. Hot drinks are beneficial to some voices,
injurious to others; cold drinks and ices are equally contradictory in
their influence on the voice. All these questions of daily habit must
be decided by each singer for himself and experience is the only safe
guide.
There is a class of dangers to which the voice is exposed, entirely
distinct from the influence of unfavorable conditions of the general
health. Most of the throat troubles to which singers and public
speakers are liable are directly traceable to a wrong use of the vocal
organs. One of the most striking facts regarding the voice is this:
If the voice is correctly produced it is benefited by exercise and
improves steadily, year after year, in power, beauty, and facility of
execution. On the other hand, when the voice is wrongly or imperfectly
used exercise has exactly the opposite effect. Badly produced voices
constantly deteriorate; their use results in course of time in throat
troubles, of which the number and variety seem almost inconceivably
great.
Public-domain text, read in full here on John Shaqi.
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