The art of music, Vol. 05 (of 14) : $b The voice and vocal music — John Shaqi
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
One general trouble lies at the bottom of all the throat ailments which
follow on a wrong use of the vocal organs. This is a state of muscular
strain suffered by the delicate muscles of the larynx. Every incorrect
manner of producing vocal tone imposes an excessive degree of effort on
these muscles. On the practical side the difference between the correct
production of tone and any wrong use of the voice may be stated thus:
When the voice is correctly used each tiny muscle of the larynx exerts
exactly the right degree of effort in its contraction. To just this
amount of exertion the muscles are fitted by Nature and in it they find
their normal and healthful exercise. Incorrect tone production, on the
other hand, always involves an excessive expenditure of effort on the
part of the laryngeal muscles. The throat is in a state of muscular
stiffness, in which all the muscles are contracted with more than their
normal and appropriate degree of effort.
Muscular stiffness is indeed possible in any part of the body. It can
be well illustrated as follows: Take a pencil and a sheet of paper and
copy a few lines of what you are reading; grasp the pencil with all
the strength of your fingers and exert all the power of your hand and
arm in forming the letters. You will find that your arm and hand tire
after a few minutes of writing in this manner. This follows from the
expenditure of vastly more effort than is required for the purpose of
writing.
All the muscles of the body are arranged in opposed pairs and groups.
As your hand rests on the table, the contraction of one set of muscles
brings the thumb and the first two fingers together so as to grasp the
pencil. An opposed set will, by their contraction, spread these fingers
apart, and the pencil will be released. If, now, both these sets of
muscles are contracted at the same time the pencil is held stiffly, and
the hand moves to form the letters only by the exertion of considerable
effort. The muscles themselves are stiffened by this simultaneous
contraction of opposed pairs and groups.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account